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Quote by Mahan Esfahani

“Gorecki, you know, there's a kind of personal thing there for me. I had, you know, kind of become obsessed with that sort of Soviet Bloc period. And actually, a lot of composers in the Soviet Bloc - Gorecki's not the only one - are writing for the harpsichord as a sort of reaction against enforced Soviet realism, expressionism, sort of enforced modernism.”

Quote by Mahan Esfahani

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Mahan Esfahani, born in 1984, is an individual whose profession and category are unknown. Specific details about his life experience and achievements are not available. more

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“The harpsichord was actually ideologically considered a very questionable instrument in that period, much like I think it's ideologically considered suspect today in some circles.”

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“I mean, already in the French Revolution, the harpsichord becomes identified with the aristocracy, with the ancien regime. Plus, hey, you know, I mean, harpsichord is a really easy target, isn't it? I mean, it's - it's just how it is.”

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“I mean to me, the harpsichord has a huge dynamic range. And I always say to people, come and listen to it. You know, come and listen. Come and actually experience this and realize there's good harpsichord playing, there's bad harpsichord playing. By the way, I am fun outside of this context.”

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“Well, within a phrase. And with a series of phrases, you can certainly create the effect of diminuendo and crescendo, no question.”

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“One of the tracks that I have is Carl Philipp Emanuel Bach - by the way, that's Bach's second son - Emanuel Bach's variations on "Le Folie." You'll definitely hear - I mean, I think if we listen to, say, the last couple of minutes of that track, there's a wide range of colors that the harpsichord is capable of. And I think, you know, that gives lie to the assumption that it doesn't have that kind of variety. And I think it very much speaks for itself.”

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Author:Mahan Esfahani

“I think, you know, for someone who does play, let's say, old music or, you know, Baroque music or Renaissance music - and you know, and I do play a lot of that, obviously - engaging with new composers, engaging with young composers, is really exciting because it makes me look at people of the past in a very different way that they are also living, that there was a lot of subjectivity in the decisions that they were making.”

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“And it totally has transformed my relationship with someone like, say, Bach. You know, Bach is born 330 years ago but, you know, gosh, he really is alive.”

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“Bach, of course, was my first love. He still is. I mean, he's the man of my life, that's for sure. And when I say that there's been a re-evaluation, look, to be perfectly honest, I think I have a re-evaluation of my relationship with Bach probably every day, and that will never stop. And that's probably why I still get up in the morning and I do this.”

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“There's no doubt that Boko Haram has been driven from many of its strongholds in northeastern Nigeria. Now, President Muhammadu Buhari says technically, we have won the war. Those in the know say but technically, the army is still losing the battle because Boko Haram has changed tactics. Instead of now holding territory as it used to and calling this territory its own, now it is resorting to guerrilla tactics, hit-and-run raids and especially suicide bombings.”

“And we are understanding - we're beginning to understand that the Nigerian military is now better on. And also, probably even more importantly, Michel, morale is higher amongst the military. I mean, you had Nigerian soldiers being accused of cowardice, running away from Boko Haram and not having the will to fight.”

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