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Quote by Tom Robbins

Work

Villa Incognito

Villa Incognito is a work of fiction that delves into complex characters and their intricate relationships, set against the backdrop of a mysterious and darkly humorous narrative. more

Author

Tom Robbins
Tom Robbins

Tom Robbins (born July 22, 1936) is an acclaimed American novelist known for his whimsical, philosophical, and often surreal storytelling. His works blend pop culture, Eastern spirituality, and countercultural themes, with notable titles including 'Another Roadside Attraction' and 'Even Cowgirls Get the Blues'. Born in North Carolina, Robbins worked as a journalist and art critic before turning to fiction. His novels are celebrated for their linguistic playfulness, eccentric characters, and profound meditations on love, freedom, and the human condition. Though not a recipient of major literary prizes, he has cultivated a devoted global readership and influenced generations of writers. He remains a distinctive voice in contemporary American literature. more

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“If we're ever going to get the world back on a natural footing, back in tune with natural rhythyms, if we're going to nurture the Earth and protect it and have fun with it and learn from it - which is what mothers do with their children - then we've got to put technology (an aggressive masculine system) in its proper place, which is that of a tool to be used sparingly, joyfully, gently and only in the fullest cooperation with nature. Nature must govern technology, not the other way around.”

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“Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic. Perhaps literally. The word "grammar," like its sister word "glamour," is actually derived from an old Scottish word that meant "sorcery." When we were made to diagram sentences in high school, we were unwittingly being instructed in syntax sorcery, in wizardry. We were all enrolled at Hogwarts. Who knew?”

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“In general, I've found female protagonists more intriguing to work with than males. I cherish women and have always preferred their company, reveling in their perfumes, their contours, their finer-grained sensibilities, lunar intuitions, nurturing instincts and relatively unfettered emotions--although I'm certainly not unaware that there are plenty of neurotic, uptight, stupid women in the world.”

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“I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.”

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“Make no mistake about it: the labeling of someone's language as 'sexist' involves a political judgment and implies the desirability of a particular sociological doctrine. One may be in favor of that doctrine (as I believe I am) but it is quite another matter to force writers by edicts and censorship into accepting it.”

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“You cannot avoid making judgements but you can become more conscious of the way in which you make them. This is critically important because once we judge someone or something we tend to stop thinking about them or it.”

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