“All I can say is that when I paint, I am looking at things that are in the world.” Quote by Elizabeth Neel
“When I eat, I always pick out the best parts in the middle and leave everything else on the side. It becomes a big sculptural mess, but there are nice compositional elements about how it all sits on the table.” BigsSidesNiceMiddleElementsPicksTablesMess Author:Elizabeth Neel
“The violence in New York feels really mundane and banal to me. Whereas in the privacy of one's own home, say, like the farm I grew up on in Vermont, the kinds of things that can happen seem much more extreme. Maybe because it's more personal. Or maybe because you block out the things that happen in the city. But it's like seeing things born, live, die, fall apart, and start over again, without any intermediary clean-up steps from some corporate organization.” FeelsKindHomeSeemsHappensDiesFallBornCitiesStepsViolenceSeeingNew YorkGrewGrew UpOrganizationCleanExtremesBlockCorporatePrivacyFarmsFalling ApartStarting OverMundaneVermont Author:Elizabeth Neel
“I think I'm not in this work to not look at life as it is. I'm not in it to say, "I want to wear a mask and escape," you know. I want to know what's happening in the world, and I want to have it touch me in a way that I can do something, my little part like that, and have it somehow translate.” ThinkingKnowsWorldWayWantLooksLittlesI CanCan DoHappeningsMaskTranslateCan Do SomethingTouch Me Author:Jake Gyllenhaal
“Even though I don't have any larger spiritual or ideological system, there is some logic in concert with a huge number of beautiful, disconcerting, screwed-up variables that results in a certain visual pleasure in violent things. Like a broken egg yolk can be the most violent thing I've seen all day, if I'm in the right mood. But also tons of trash in the woods or a burned-up trailer park can also come across as especially violent.” IfsBeautifulSpiritualCertainPleasureResultsNumbersHugeBrokenLogicWoodsMoodViolentParksVisualsEggsConcertsBurnedTrashIdeologicalVariablesTrailersScrewed UpHuge NumbersTrailer Park Author:Elizabeth Neel
“Working with Jim Sheridan for instance, we did this movie Brothers. Jim will ask anybody - we'll get a delivery on set, and like the poor delivery guy will be like, "Here's your pizza," and he'll be like, "Come over here. Come here. I want to ask you a question. Do you think this is real? What do you think? Should we do another take?" And they're like, "I, uh, you want your pizza?" There's no shame in everybody's ideas. There's no shame in somebody not knowing.” ThinkingWantShouldIdeasRealGuyAsksPoorKnowingBrotherShameInstanceNot KnowingPizzaDelivery Author:Jake Gyllenhaal
“There's no shame in somebody who doesn't necessarily do that job knowing a little bit more in that instance than you might know about your own job, you know, and I think that is where movies are such a collaborative art form.” ThinkingKnowsLittlesArtMightJobsFormBitsKnowingLittle BitShameInstance Author:Jake Gyllenhaal
“Sometimes you need to live with a painting for a while. Starting a painting can be easy, but finishing it... that's the skill of the painter, how you finally know when it's done.” KnowsNeedsSometimesDoneEasyPaintingSkillsStartingPainterFinishingFinishing It Author:Elizabeth Neel
“I don't have a "I want to play this or that," I just don't have that. I've never been like that.” WantPlay Author:Jake Gyllenhaal
“People say to me, well "What's the character you really want to play?" And I go, I don't know.” PeopleKnowsWantWellsPlayCharacter Author:Jake Gyllenhaal