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Quote by Kilroy J. Oldster

“Artistic license, also known poetic license, narrative license, and licentiate poetical, is a colloquial term (employed occasionally as a euphemism), which denotes a license to distort the facts, alter the conventions of grammar or language, or reword pre-existing text by an artist in the name of art. Liberal usage of an artistic license to restructure basic facts can result because of conscious or unconscious acts. Artistic embellishment or misrepresentation of the facts and distortion or alteration of the compositional text frequently is the by-product of both intentional and unintentional additions and omissions. An artistic license, employed at an artist’s discretion to fill in details or gloss over factual and historical gaps, raises some ethical issues. Many stories retold verbatim would bore an audience or require inordinate time and resources to reenact, describe, and view. A dramatic license eliminates mundane details and tedious facts, spruces up the picturesque background, and glamorizes the characters’ temperament and action scenes. Is it wrong to be inventive with the facts? What degree of embroidery of a series of events and the characters’ mannerisms and attributes is acceptable? How can anyone paste together a set of facts into an interesting or compelling narrative that has literary value without engaging in some creative organization to enhance the theatrical retelling and to create juxtaposition of ideas and values?”

Quote by Kilroy J. Oldster

Work

Dead Toad Scrolls

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Kilroy J. Oldster

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“Why does Sri Krishna say in the Gita that whenever the evil forces raise their head he appears on earth to support the righteous ones? Why does he rather not bring a final end to the perpetual fight between good and evil, instead? Why should evil rise again and again? Mankind is tired of perpetually facing the onslaught of evil. Why does it not get crushed once and for all? Why does God not make it happen? This question often puzzles us.”

“Fo’ it be so clear to me now, with my family being black an white, that though we blacks have it very hard fo’ very long, we don’t own suffering. Abuse, slavery, injustice, an tribulation be part of human living. An if there be a question that be worth axing, rather than it be bout white or black, we might be wanting to ax how come it’s always us humans who be suffering an be mean to one another. We might want a be axing that instead. From: "Accidents of Birth Trilogy”