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Quote by Maurice Blanchot

“When Kafka allows a friend to understand that he writes because otherwise he would go mad, he knows that writing is madness already, his madness, a kind of vigilence, unrelated to any wakefulness save sleep's: insomnia. Madness against madness, then. But he believes that he masters the one by abandoning himself to it; the other frightens him, and is his fear; it tears through him, wounds and exalts him. It is as if he had to undergo all the force of an uninterruptable continuity, a tension at the edge of the insupportable which he speaks of with fear and not without a feeling of glory. For glory is the disaster.”

Quote by Maurice Blanchot

Work

The Writing of the Disaster

This book delves into the ways in which disasters have influenced and been depicted in literature and the arts, examining the narratives and themes that arise from such catastrophic events. more

Author

Maurice Blanchot
Maurice Blanchot

Maurice Blanchot was a French writer known for his profound philosophical thoughts and unique literary style. His works spanned across philosophy, literary criticism, and fiction, profoundly influencing French culture in the 20th century. more

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“It's amusing to me that we refer to people who live in their heads as detached, disturbed, or mad, when reality for anyone is actually a matter of the individual's state of mind. The mad truth—all people live in their heads. Whatever you think life is, it is.”

“There is a duality to darkness known only to those who’ve been infected by its touch. Everyone knows the shadows: shallow, comfortable, mostly harmless places where one might nest for a night. But the depths of living pitch only visit the aristocracy of madmen and women who’ve unwittingly pledged fealty to the curse. For some, it outright ruins minds like a hound to fresh meat; for others, it wanes into the deepest parts of its less caustic sibling and waits for the time to strike, returning periodically through life like an incurable disease.”

“What's the difference between sanity and madness anyway? We all play headgames with ourselves. We all have baggage. We all cope somehow. I'm not sure if I'm mad or sane. I mean, I hold my life together, I pay my bills, I raise my kids. But the world is so polarized and bizarre now that for some people, none of these these things matter if they're not wearing the right shoes or don't have the right credit score or a fancy family car. Some people think the most important things to worry about are handbags and tan lines. Meanwhile, war and crime and poverty unfold all around us, and we ignore it. In that environment, how can we even begin to talk about sanity and madness?”

“That’s the thing about the collapse of civilization, Blake. It never happens according to plan – there’s no slavering horde of zombies. No actinic flash of thermonuclear war. No Earth-shuddering asteroid. The end comes in unforeseen ways; the stock market collapses, and then the banks, and then there is no food in the supermarkets, or the communications system goes down completely and inevitably, and previously amiable co-workers find themselves wrestling over the last remaining cookie that someone brought in before all the madness began.”

“LONG LIVE... This country is but a wish of the spirit, a counter-sepulcher. In my country, tender proofs of spring and badly dressed birds are preferred to far-off goals. Truth waits for dawn beside a candle. Window glass is neglected. To the watchful, what does it matter? In my country, we don't question a man deeply moved. There is no malignant shadow on the capsized boat. A cool hello is unknown in my country. We borrow only what can be returned increased. There are leaves, many leaves, on the trees in my country. The branches are free to bear no fruits. We don't believe in the good faith of the victor. In my country, we say thank you.”