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Quote by Reiner Stach

“Kafka was a complex character in a complex historical era. In order to understand him, you have to do more than cite facts. It is necessary to connect the facts in a meaningful way. His relationship to Judaism, to his father, to women, to literature - all of this is interconnected; and there are decisive moments in his life, in which such interactions suddenly become visible and can be experienced in an almost sensuous manner. It is these moments above all that I try to narrate dramatically.”

Quote by Reiner Stach

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Reiner Stach

Reiner Stach is an individual born in 1951, whose profession and category are unknown. Detailed information about him is limited. more

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“Many who are convinced that God is non-violent simply dismiss the Old Testament accounts of God commanding or engaging in violence. I don't consider this to be a viable option, for Jesus treats the whole Old Testament as the inspired Word of God. My cross-centered interpretation of these violent portraits allows believers to affirm that God is non-violent while also affirming that all Scripture is "God-breathed.".”

“The violent portraits of God in Scripture have become one of the biggest obstacles to believers coming to faith. When we can show how these portraits bear witness not to a violent God, but to the non-violent loving God revealed on Calvary, these obstacles to believing in the inspiration of Scripture become one of the most compelling reasons for believing in the inspiration of Scripture.”

“If we fully trust that God is as beautiful as he reveals himself to be on the cross, we must regard the ugly surface appearance of these portraits to reflect the sinful way his people imagined God, not the way God actually is. But when we by faith look through the ugly surface of these portraits, we can see God stooping out of love to meet his people where they are at and to bear their sin, which is why in Scripture he takes on an ugly surface appearance that reflects the ugliness of their sin.”

“Accommodation is a central aspect of the cross-centered interpretation of violent portraits of God that I'm advocating. Like everything else in Cross Vision, this concept is anchored in the cross. On the cross, God stoops to meet us, and to enter into solidarity with us, right where we are at, which is in bondage to sin and to Satan. And he does this to free us and to bring us where he wants us to be, which is united with him in Christ. The cross is thus the paradigmatic example of God mercifully stooping to accommodate people in their fallen conditioning.”

“Jesus clearly believed in the reality of Satan and other principalities and powers. Now, I have very compelling historical, philosophical, and existential reasons for concluding that Jesus is Lord, and if I confess him to be Lord, I don't see how I can consider myself in a position to ever correct his theology, especially about such a foundational theological matter!”

“By the time Kafka was seven or eight years old, he already had a relatively dark view of the world derived from experiences in his own family. This told him that the world was organized in a strictly hierarchical manner and that those on the top were allowed to mete out punishment in any way they chose. They were entitled to leave those on the bottom uninformed about the rules to which they subscribed; they weren't even required to follow their own rules - this is how Kafka described it in his later Letter to My Father.”

“Second, if you disbelieve in the reality of good and evil spirit agents, you fundamentally change the narrative of Scripture. The motif of spiritual warfare is a through-line of both the Old and New Testaments (NT). And in the NT, the meaning of what Jesus was doing in his life, ministry, death and resurrection is fundamentally tied up with the belief in spiritual warfare. Take away Satan, and you take away one of the most fundamental reasons Jesus came to earth!”

“Kafka often describes himself as a bloodless figure: a human being who doesn't really participate in the life of his fellow human beings, someone who doesn't actually live in the true sense of the word, but who consists rather of words and literature. In my view, that is, however, only half true. In a roundabout way through literature, which presupposes empathy and exact observation, he immerses himself again in the life of society; in a certain sense he comes back to it.”