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Quote by Thomas Hardy

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Jude the Obscure

Thomas Hardy's novel follows the life of Jude Fawley, a man of humble origins who aspires to a higher education and a better life, only to face numerous challenges and heartbreaks in his pursuit of love and social mobility. more

Author

Thomas Hardy
Thomas Hardy

Thomas Hardy, a British novelist born on June 2, 1840, and died on January 11, 1928, is renowned for his novels that depict rural life, reflecting the social changes in 19th-century England. His works often carry a sense of pessimism, depicting the fates of characters with sympathy. more

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“[T]his jealousy gave him, if anything, an agreeable chill, as, to the sad Parisian who is leaving Venice behind him to return to France, a last mosquito proves that Italy and summer are still not too remote. But, as a rule, with this particular period of his life from which he was emerging, when he made an effort, if not to remain in it, at least to obtain a clear view of it while he still could, he discovered that already it was too late; he would have liked to glimpse, as though it were a landscape that was about to disappear, that love from which he had departed; but it was so difficult to enter into a state of duality and to present to oneself the lifelike spectacle of a feeling one has ceased to possess, that very soon, the clouds gathering in his brain, he could see nothing at all, abandoned the attempt, took the glasses from his nose and wiped them; and he told himself that he would do better to rest for a little, that there would be time enough later on, and settled back into his corner with the incuriosity, the torpor of the drowsy sleeper in the railway-carriage that is drawing him, he feels, faster and faster out of the country in which he has lived for so long and which he had vowed not to allow to slip away from him without looking out to bid it a last farewell.”

“Jealousy is a fever that arises from a stupid, baseless excitement in our unthinking brain. Jealousy is a phenomenon of auto-suggestion. The woman you love has gone to bed with X. You hate X, you hate her, and you have perpetually before your eyes the vision of your loved one and X embracing in an act that fills you with horror. But you too in your time have deceived the woman you love and have done with Y what X did in bed with woman you love. Well, what remains in your skin ,your mind of Mrs Y? Nothing whatever. No more than X left with your woman. In other words, auto suggestion. Do you want evidence of that? Well, then, if you don't know the man, you imagine him to be hateful, offensive, repulsive, and you feel that if you met him you'd kill him. But, if you happen to see his photograph, you begin to realize that it's possible to look at him without horror; and believe me, if you were actually introduced to him you'd approach him with a cordial smile on your lips, look him in the eye without trembling and, if you have reached my degree of perfection, you'd actually be capable of cheerfully patting him on the back and telling him he's a good chap. In a not too distant future, reason and education will have driven home the lesson of the futility of jealousy.”

“Kimaya is also looking in the mirror, and I meet her gaze there. There is a look I do not like in her expression, a hint of something that doesn’t match her sweet tone and seems totally alien for my warm, generous femme sister. It is a look like I might wear—eyes narrow and lips pursed. She’s peering at herself, not liking what she sees. And I think about how fish means jealousy among femmes. About how we are all so hungry for what each other has, when the truth is none of us has enough to begin with. I think about how strange and funny it is that there are many femmes who would kill, who would sell their souls to Dr. Crocodile, for the chance to leave the Street of Miracles, when all my life I have been running toward it. And I think about how Kimaya is right, how fish means opportunity and privilege. Someday, I may swim away from here into another place. I remember my little sister back in Gloom, and how escaping always seems to mean leaving someone behind.”