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Quote by Bich Minh Nguyen

“When I stepped into the brown-tiled entryway of the Kentwood Public Library, the sunlight flowing down on me from the high windows, I felt a sense of importance. It gratified me to be in a place devoted to books and quiet; I was filled with a sense of hope. Reading to me was fundamental, as fundamental as food. And nothing could be more satisfying than reading a good book while eating a good meal of mi soup, french fries, and a thin cut of steak. I plowed through books as fast as possible in order to read them again.”

Quote by Bich Minh Nguyen

Book:Stealing Buddha's Dinner
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Work

Stealing Buddha's Dinner

In this historical fiction, the protagonist, a young monk, becomes entangled in a web of intrigue and moral dilemmas as he seeks to achieve enlightenment. His journey takes him through the bustling streets of ancient China, where he encounters a diverse cast of characters, each with their own motivations and secrets. The novel delves into the complexities of human nature, examining the fine line between right and wrong, and the consequences of one's actions. more

Author

Bich Minh Nguyen
Bich Minh Nguyen

Bich Minh Nguyen, born in 1974 in Vietnam, is an accomplished novelist. Her works are renowned for their profound portrayal of the lives and identity of Vietnamese immigrants in the United States, resonating with readers worldwide. more

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“Most people are afflicted with an inability to say what they see or think. They say there’s nothing more difficult than to define a spiral in words; they claim it is necessary to use the unliterary hand, twirling it in a steadily upward direction, so that human eyes will perceive the abstract figure immanent in wire spring and a certain type of staircase. But if we remember that to say is to renew, we will have no trouble defining a spiral; it’s a circle that rises without ever closing. I realize that most people would never dare to define it this way, for they suppose that defining is to say what others want us to say rather than what’s required for the definition. I’ll say it more accurately: a spiral is a potential circle that winds round as it rises, without ever completing itself. But no, the definition is still abstract. I’ll resort to the concrete, and all will become clear: a spiral is a snake without a snake, vertically wound around nothing. All literature is an attempt to make life real. All of us know, even when we act on what we don’t know, life is absolutely unreal in its directly real form; the country, the city and our ideas are absolutely fictitious things, the offspring of our complex sensation of our own selves. Impressions are incommunicable unless we make them literary. Children are particularly literary, for they say what they feel not what someone has taught them to feel. Once I heard a child, who wished to say that he was on the verge of tears, say not ‘I feel like crying’, which is what an adult, i.e., an idiot, would say but rather, ’ I feel like tears.’ And this phrase -so literary it would seem affected in a well-known poet, if he could ever invent it - decisively refers to the warm presence of tears about to burst from eyelids that feel the liquid bitterness. ‘I feel like tears’! The small child aptly defined his spiral. To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming- like worms when a rock is lifted - under the huge abstract boulder of the meaningless blue sky.”

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Book:The Book of Disquiet
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“I sometimes wonder what it would have been like to have a childhood that was _not_ like mine. I have no real frame of reference, but when I question strangers I've found that their childhood generally had much less blood in it, and also that strangers seem uncomfortable when you question them about their childhood. But really, what else are you going to talk about in line at the liquor store? Childhood trauma seems like the natural choice, since it's the reason why most of us are in line there to begin with.”

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Book:Let's Pretend This Never Happened: A Mostly True Memoir
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“Writing is my passion. Words are the way to know ecstasy. Without them life is barren. The poet insists, language is a body of suffering and when you take up language you take up the suffering too. All my life I have been suffering for words. Words have been the source of the pain and the way to heal. Struck as a child for talking, for speaking out of turn, for being out of my place. Struck as a grown woman for not knowing when to shut up, for not being willing to sacrifice words for desire. Struck by writing a book that disrupts. There are many ways to be hit. Pain is the price we pay to speak the truth.”

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Book:Wounds of Passion: A Writing Life
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