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Quote by Richard Finney

“Do you mind?” she asked. “Mind what?” “While you were looking in the mirror I couldn’t help myself and I began fantasizing about you. And I figured if I was going to continue to fantasize about you, the only polite thing to do was to ask your permission. So now I’m doing the polite thing again and asking, ‘do you mind?’” “No, Nina. I don’t mind at all.” Then she leaned down and kissed him.”

Quote by Richard Finney

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Kicky-Wicky

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Author

Richard Finney

Richard Finney, born on February 15, 1960, is a talented screenwriter known for his profound character development and engaging storytelling. His works have brought unforgettable movie experiences to audiences. more

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“For decades, chalk and alum have been added to bread, and burnt corn and peas ground up to make coffee. Vinegar is rendered sharper by the addition of sulphuric acid, arrowroot is added to milk to thicken it, mustard is eked out with flour, strychnine is added to beer for bitterness and green vitriol to encourage a foaming head. And these are but the harmless manipulations.”

“I had, therefore, to resign myself to commissioning a duplicate from a jeweller in Madrid. They did the work very nicely. The claws are curiously shaped, but the true marvel is the stone; it is so very limpid and weighs many carats, but notice also how it is hollowed out! You see that drop of green oil which takes the place of the internal tear? It is a drop of poison, an Indian toxin which strikes so rapidly and so corrosively that it only requires to come into momentary contact with one of a man's mucous membranes to rob him of his senses and induce rigour mortis. 'It is instant death, certain but painless suicide, that I carry in this emerald. One bite' - and Ethal made as if to raise the ring to his lips - 'and with a single bound one has quit the mundane world of base instincts and crude works, to enter eternity. 'Look upon the truest of friends: a deus ex machina which defies public opinion and cheats the police of their prey...' He laughed briefly. 'After all, we live in difficult times, and today's magistrates are so very meticulous. Salute as I do, my dear friend, the poison which saves and delivers. It is at your service, if ever the day should come when you are weary of life!”

“Good heavens!” I said. “Strychnine and vitriol in beer?” “And in gin too. Enough to impart hallucinations and a nasty disruption of the bowels. And I have seen far worse: indianberry – very toxic – added to beer to make it more intoxicating. Custard flavoured with laurel – a mortal poison; pepper made from floor sweepings, comfits from china clay. Double Gloucester cheese coloured with red lead. Lead, copper, mercury, arsenic – deadly, all – they are everywhere. I myself can attest that lead salts taste quite delicious.”

“Poison is for weaklings, they say. The English poet Phineas Fletcher (1582-1650) may have been the first to coin the term “coward's weapon,” but the opinion has not dissipated in the centuries since; even a character in George R. R. Martin’s Game of Thrones recently sniped that poison was a gutless way to kill. Poison is sneaky, it’s slow, and you can poison someone without spilling a drop of their blood or awkwardly making eye contact with them midimpalement. As such, it doesn’t get a lot of cred for being scary. Poisoners simply don’t terrify people the way, say, disembowlers do. But that’s unfair, because poisoning requires advance planning and the stomach for a drawn-out death scene. You need to look into your victim’s trusting eyes day after day as you slowly snuff out their life. You have to play the role of nurse or parent or lover while you sustain your murderous intent at a pitch that would be unbearable for many of those who’ve shot a gun or swung a sword. You’ve got to mop up your victim’s vomit and act sympathetic when they beg for water. While they scream that their insides are on fire, you must steel yourself against the dreadful sight of encroaching death and give them another sip of the fatal drink. A coward’s weapon? Not so much. Poison is the weapon of the emotionless, the sociopathic, and the truly cruel.”

“I hold the biscuits in front of his face and he stands up. "What do I have to do?" he says. "Nothing," I say. "They're for you." "Are they poisoned?" he says. "No," I say. "Eat one," he says. So I do. "Probably the others are poisoned," he says. "Eat a fraction of each." I eat a corner off each biscuit. He looks at the reminders suspiciously, then sniffs them. "I'm not sure it's worth it," he says. "How I wish you'd never come. Perhaps you've left the poison off of just those corners." I begin to realize I'll doubt whatever information he gives me. "Lick the entire biscuit," he says. "Then give them to me." So I lick each biscuit. "Both sides," he says. I lick both sides of each biscuit. I give him the wet biscuits and he cracks them open and sniffs them. Then he puts them in his pocket. "What do you want?" he says. "Now that you've failed to poison me to death.”