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Quote by Sean O'Casey

“The wide wonder of Broadway is disconsolate in the daytime; but gaudily glorious at night, with a milling crowd filling sidewalk and roadway, silent, going up, going down, between upstanding banks of brilliant lights, each building braided and embossed with glowing, many-coloured bulbs of man-rayed luminance. A glowing valley of the shadow of life. The strolling crowd went slowly by through the kinematically divine thoroughfare of New York.”

Quote by Sean O'Casey

Work

Autobiographies III: Rose and Crown and Sunset and Evening Star

This book brings together two autobiographical texts that continue the author's life narrative. 'Rose and Crown' describes his experiences in the early twentieth century, including his involvement in Irish cultural and political life, his work as a poet and playwright, and his relationships with other literary figures. 'Sunset and Evening Star' offers a more reflective account of his later years, touching on his continued creative output, his thoughts on aging and mortality, and his evolving perspectives on the world. Together, these works provide a comprehensive view of the author's personal and artistic journey during the latter part of his life. more

Author

Sean O'Casey
Sean O'Casey

Sean O'Casey (March 30, 1880 – September 18, 1964) was a renowned Irish dramatist known for his realistic portrayals of Dublin's working-class life and social conflicts. Born into a poor Protestant family, he experienced hardship early and engaged in labor and trade union activism. His major works include Juno and the Paycock, The Plough and the Stars, and The Silver Tassie. O'Casey's plays blend tragedy and comedy, reflecting the struggles of Irish independence and human nature. He later moved to England and continued writing until his death, leaving a lasting impact on 20th-century theater. more

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“The first several scenes are about sexual addiction. They're not specifically political at all... I didn't sit down and think, ''I am going to write something about the religious right.'' I started out by writing something about sexual addiction, and it evolved... I don't look at a calendar and say: ''Oh! There's going to be an election in 1996. I think now, in 1993, I'll start writing a play that'll be ready for it.''”