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Quote by Steve Inskeep

“When I go to American cities and speak to American audiences about Karachi, I am able to draw their own wonder and consternation about the cities they live in as an entry point to this other faraway, instant city.”

Quote by Steve Inskeep

Author

Steve Inskeep is a renowned media figure, currently serving as a senior journalist for National Public Radio (NPR). His career began in the late 1980s, and since then, he has accumulated extensive experience in various news fields. more

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“So many awful things have happened in Karachi, it's true. It has its own crazy rhythm. Even as crazy as other news is in Pakistan, the city manages to beat that in the frequency of catastrophes.”

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“When I choose the picture of the cover of the book 'Instant City: Life and Death in Karachi', I thought, gosh, many people in Karachi may not like this image; I'm representing the city as a burning bus. But to the contrary, they loved it, because that is people's understanding of their own city, of going on with life no matter what.”

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“I would say that the one incredible thing that Karachi has going for it is the unabated supply of new migrants that pour into it day after day. It could be a poor factory worker who simply wants a job, it could be an ambitious guy coming for an education - they all add hope and vibrancy to the city. Now, this is not something that is generally taken as positive in Karachi. But the hope is that the migration that comes into the city replenishes its stores of resilience and energy.”

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“People don't know where they stand and what they're going to lose, and that makes things uncertain. The political parties try to meld people together, but then that becomes a problem. There are parallels here, to American cities, which, in the '80s, with massive rural to urban migration, saw incredible amounts of violence.”

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“You do have this circumstance in Karachi that because people know things are changing, the stakes are higher. Everyone is thinking, "My home is threatened, my job is threatened, my identity is threatened, my world is threatened." And that creates a very particular sort of climate, that is linked.”

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“Let me name three of the people who influenced me, although it's definitely not a complete list. Ayesha Jalal, the formidable Pakistani-American historian, has rigorously re-evaluated Jinnah's political strategies leading up to Partition. Akbar Ahmed, a former diplomat and now a distinguished scholar, has documented Jinnah's life as a man who welcomed, worked with, and even married people of other faiths. And then there is Ardeshir Cowasjee, the great Parsi newspaper columnist, who in his mid-80s is a kind of living history of all of Pakistan, old enough to have known Jinnah himself.”

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“If you look at the Directory of American Poets and Writers, you know there are hundreds of poets in New York City. So therefore, just by specific gravity, it seems like a more significant place. Robert Wrigley is a poet who lives in rural Idaho - I think it's really back-country Idaho - and he writes beautiful poems.”

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“Wallace Stevens had more time to write as an insurance agent. He was a bond lawyer and I know that insurance company lawyers don't have to do nearly as much as we had to do. We were out more in the production area. I'm not condemning Stevens for having had a better job than I did, but that's one of the many places where I differ from him.”

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“My colleagues knew I was writing poems. I never hid it from them. I don't think they ever thought I was cheating on them. So, I think they probably saw it as being rather peculiar, that I was doing that sort of thing, but nobody ever suggested I shouldn't be doing it. I think that would be different on Madison Avenue or Wall Street, where you're really expected to be doing 110 percent for the company.”

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