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Quote by Pablo Picasso

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Picasso and his art

Picasso and his art delves into the life and career of Pablo Picasso, one of the most influential figures in the history of art. The book examines Picasso's early years, his transition from realism to modernism, and his exploration of various artistic styles throughout his career. It includes analysis of his most famous works, such as Guernica and Les Demoiselles d'Avignon, and discusses his influence on Cubism and other movements. The book also covers Picasso's personal life, his relationships with other artists, and the cultural and historical context of his work. more

Author

Pablo Picasso
Pablo Picasso

Spanish painter and one of the most influential figures in 20th-century art. Picasso is renowned for his unique artistic style and prolific career, encompassing various fields such as painting, sculpture, and printmaking. His paintings have gone through several phases, from the early Blue Period to the later Cubism, profoundly impacting 20th-century art. more

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“Do you think it interests me that this painting represents two figures? These two figures existed, they exist no more. The sight of them gave me an initial emotion, little by little their real presence grew indistinct they became a fiction for me, then they disappeared, or rather, were turned into problems of all kinds. For me they are no longer two figures but shapes and colours, don't misunderstand me, shapes and colours, though, that sum up the idea of the two figures and preserve the vibration of their existence.”

“It would be very curious to record by means of photographs, not the stage of the picture, but its metamorphoses. Perhaps one would perceive the path taken by the mind in order to put its dreams into a concrete form. But what is really very curious is to observe that fundamentally the picture does not change, that despite appearances the initial vision remains almost intact.”

“The academic teaching on beauty is false. We have been misled, but so completely misled that we can no longer find so much as a shadow of a truth again. The beauties of the Parthenon, the Venuses, the Nymphs, the Narcisusses, are so may lies. Art is not the application of a canon of beauty, but what the instinct and the brain can conceive independently of that canon.”