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Quote by Anna Journey

“I'm a compulsive enjamber. I'm drawn to half-meanings created by the line, so that's definitely an element of craft that's always on my mind. And I'm a big devotee of the short line, of couplets and tercets, and of irregular stanzas with lots of white space. I've got to give the dense language room to breathe!”

Quote by Anna Journey

Author

Anna Journey, born in 1980, is a talented poet whose works are renowned for their unique perspective and profound emotional expression. Her poetry covers a wide range of themes, from personal experiences to social phenomena, reflecting her deep insight into society and life. more

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“I prefer assonance and internal rhyme to end rhyme. I mean, the sonnet already looks like a box. Best not to get too boxed in, though.”

Looks Mean Ends Boxes Internals Rhyme Sonnet Assonance

Author:Anna Journey

“When I was in Minnesota serving in the state Senate and in Washington, DC, I did everything I could to defeat cap and trade. I didn't work to implement cap and trade.”

States Trade Defeat Serving Senate Caps Minnesota

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“I tend to employ braided narrative threads in the lyric, so often echoes (of phrases or images) will occur and will hit my ear so I can shape different resonances and shifts in tone.”

I Can Different Shapes Ears Narrative Phrases Tone Thread Echoes Resonance

Author:Anna Journey

“I tend to view the superstitions or fragments of myth as triggers for lyric inquiry. I also find I think of this kind of language as ars poetica - if we can find the right combination of words, we can make something improbably or extraordinary happen.”

Ifs Thinking Kind Happens Language Views Extraordinary Myth Combination Superstitions Inquiry Fragments Triggers

Author:Anna Journey

“My obsessions tend to cluster, so I often have families of poems in which only a couple of them make it to the book. It can be satisfying to banish poems to my "crappy poems" file.”

Book Couple Obsession Satisfying Files Clusters

Author:Anna Journey

“I tend to gravitate toward the realm of superstition (cures and such) and odd scientific facts (like bioluminescent shrimp and fistulated cows). I like the intimacy that I often find in the grotesque.”

Facts Cures Intimacy Odd Realms Cows Superstitions Grotesque Scientific Facts Shrimp

Author:Anna Journey

“I think the grotesque can inspire intimacy (it draws us in) as well as awe, like the cabinets of curiosities.”

Thinking Wells Inspire Draws Curiosity Intimacy Awe Cabinets Grotesque

Author:Anna Journey

“I like to work with multiple sections because they lend themselves to the structure of the poem: its intensifications and arcs and closures. I feel like working with smaller units feels more natural to the way I write poems.”

Way Feels Writing Natural Structure Multiple Units Sections Arcs Closure

Author:Anna Journey

“Because I love narrative but am more lyrically inclined, I've learned that if I freight titles with narrative information (the who, what, when, where, why of the poem), I can get to my main interest, which is the language, and where it wants to take me. If I can establish the poem's occasion in the title, then so much the better for my freedom to associate.”

Ifs Want I Can Language Interest Information Occasions Narrative Titles I've Learned Take Me Associates

Author:Anna Journey

“The funny thing is that even engineers and techs don't know what a tiny telephone connector is - people call them TT connectors. Engineers used to come by all the time and say, "Why are you called Tiny Telephone?"”

People Knows Used Tiny Engineers Telephones Funny Things Connectors

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