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Quote by John Ruskin

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Selections from the writings of John Ruskin ... With a portrait

In 'Selections from the writings of John Ruskin ... With a portrait,' readers are introduced to the profound thoughts and observations of John Ruskin, a prominent figure in Victorian literature and criticism. The book gathers extracts from his extensive body of work, covering a range of topics from the aesthetics of art to the social conditions of his time. Each selection is accompanied by a portrait of Ruskin, providing a visual representation of the author alongside his written contributions. The collection offers a comprehensive look into Ruskin's intellectual legacy and his influence on the fields of art and social thought. more

Author

John Ruskin
John Ruskin

John Ruskin was an influential British art critic, writer, and social critic. Known for his profound insights into art, architecture, and social issues, he had a significant impact on the aesthetics and culture of the Victorian era. more

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“Expression, sentiment, truth to nature, are essential: but all those are not enough. I never care to look at a picture again, if it be ill composed; and if well composed I can hardly leave off looking at it.”

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“The entire vitality of art depends upon its being either full of truth, or full of use; and that, however pleasant, wonderful, or impressive it may be in itself, it must yet be of inferior kind, and tend to deeper inferiority, unless it has clearly one of these main objects, either to state a true thing, or to adorn a serviceable one.”

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“And thus, in full, there are four classes: the men who feel nothing, and therefore see truly; the men who feel strongly, think weakly, and see untruly (second order of poets); the men who feel strongly, think strongly, and see truly (first order of poets); and the men who, strong as human creatures can be, are yet submitted to influences stronger than they, and see in a sort untruly, because what they see is inconceivably above them. This last is the usual condition of prophetic inspiration.”

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“It is only the basest writer who cannot speak of the sea without talking of "raging waves," "remorseless floods," "ravenous billows," etc.; and it is one of the signs of the highest power in a writer to check all such habits of thought, and to keep his eyes fixed firmly on the pure fact , out of which if any feeling comes to him or his reader, he knows it must be a true one.”

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