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Quote by Susan Sarandon

“I always think that the difference between film and theater is like the difference between masturbation and making love. Because, in film, you just have to get one moment right; you're practically by yourself. And in theater, you actually have to have a relationship with the audience.”

Quote by Susan Sarandon

Author

Susan Sarandon is an American actress born on October 4, 1946. She has achieved iconic status in the film industry with her remarkable performances in classics such as 'Midnight Cowboy', 'The Strawberry Statement', and 'Dead Man Walking'. more

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“Theater for me is terrifying but much more rewarding, because you know what they're seeing. Film is all little bits and pieces. And you can do an amazing job, but if the camera isn't getting it, it doesn't work. And then other times when you feel you really weren't present, and then you see it and somehow it works. So there's a mystery, there's a strange collaboration that takes place with everybody.”

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Author:Susan Sarandon

“I remember Anthony Perkins saying, "Real is not necessarily interesting." So real is not enough. But what happens as an actor is that you're really trained to listen and to be open and have empathy. It's such a natural consequence that you end up being more political. You can empathize with the mother whose kids are going to be sent to Iraq, or you can emphasize with the mother who is losing their child to a disease. How could you not then be active? So you're automatically drawn to that aspect in the rest of your life.”

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Author:Susan Sarandon

“Acting is kind of a forced compassion, where you learn that given certain circumstances, you can feel and do things that you never thought yourself capable of. And so it stops you from being super-judgmental.”

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Author:Susan Sarandon

“I think you have to ask yourself, what is the point of the script? What is the script selling? Because all scripts are political, every story is political. It either challenges or reinforces some schism or stereotype. So what is the project going to say at the end of the day? What does it tell you about the world, or what does it challenge in terms of your world?”

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Author:Susan Sarandon

“When Alan Rickman, a dear friend of mine, played villains, he always made it complicated. He didn't redeem what they did, but he made you feel that it was hard for them to be so horrible.”

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Author:Susan Sarandon

“I think where you get into trouble - for instance the mixing of sex and violence - is when you're telling an audience that this horrible thing is enjoyable. The suffering just gets out of hand too much. It becomes pornographic.”

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Author:Susan Sarandon

“When I got the script for Thelma & Louise, when I met with the director, Ridley Scott, I said, "I don't want to do a revenge film. I'm not interested in doing that moment in the script after they shoot the truck, where it says they jump up and down and they're real happy about it".”

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Author:Susan Sarandon

“In terms of our foreign policy, that's where we made a mistake after 9/11. Everyone's going, "Why, why, why," and there wasn't any investigation or learning from any of what we had been doing up to that time that had set us up.”

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Author:Susan Sarandon

“9/11 just seemed to come out of the blue. And there were people asking questions, but then there were no answers. At some point, it just turned into, "We've got to do what we've got to do." And I think those are the moments when you grow, when you get the opportunity to try to figure out, exactly as you said, what price are you paying, and if it's worth that price.”

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Author:Susan Sarandon

“We were friends with Jonathan Demme. We were all down on the West Side of New York, and I think I met Kurt Vonnegut through Edith Demme. And then I was lucky to do Who Am I This Time? 1982, which was an adaptation of his short story that Jonathan Demme directed with Chris Walken and I, and that really cemented the friendship.”

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Author:Susan Sarandon