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Quote by Suketu Mehta

“Indian Muslims have stayed very far away from Al Qaeda and the like; they have voted with their feet and stayed in the country, rather than going to Pakistan during partition. On the whole, they recognize that life is better for them in India than in Pakistan.”

Quote by Suketu Mehta

Author

Suketu Mehta is an Indian-American film writer born in 1963. His works are known for their profound social insight and unique narrative style. more

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“Bombay as a confident, welcoming city that takes in a million new people a year, that those who want to harm the country pick Bombay. Other Indian cities, such as Delhi and Varanasi, have also been bombed recently, but Bombay's significance as the financial capital of the country means that it's the best target for terrorists who're unhappy with India's progress.”

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“There have always been elements in the Pakistani state that have been hostile to India; which is not to say that the Pakistani government as a whole is responsible for bombing Indian cities. But I think there are entities in the Pakistani security services that operate more or less autonomously. Their role certainly needs looking into.”

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“While I was writing my book, I got a top police official in Bombay an invitation to study terrorism at the Rand Institute in Washington DC. This would have helped the city enormously, as he was the detective who cracked the '93 blasts case. But the commissioner declined to let his subordinate take up the offer from Rand, because of his fear that it was CIA-affiliated. That culture of suspicion needs to change; India needs to learn how other democracies fight terror.”

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“Commuter trains are the easiest target for terrorists, as we have seen in Madrid, London, and now Bombay. But it is difficult for a Westerner to comprehend the kind of overcrowding in a Bombay local train; they ferry six million passengers a day. A bomb that goes off in one of those compartments will have maximum impact.”

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“The trains are central to Bombay just as the subway is central to New York; they are the great social laboratory of that city. And today, they became a charnel-house.”

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“If you are late for work in Mumbai and reach the station just as the train is leaving the platform, don't despair. You can run up to the packed compartments and find many hands unfolding like petals to pull you on board. And while you will probably have to hang on to the door frame with your fingertips, you are still grateful for the empathy of your fellow passengers, already packed tighter than cattle, their shirts drenched with sweat in the badly ventilated compartment. They know that your boss might yell at you or cut your pay if you miss this train.”

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“The great thing about Bombay is its open, generous heart. I hope - I know - that this spirit will endure. Bombay will adjust.”

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“Like most filmmakers and writers, there are roots in my own life, but they are stories that I invent. There was a period of time in my life when I made directly autobiographical films where I truly told what happened to me. But, now, I don't make directly autobiographical films anymore. I am more for renouncing that and being in front of history. The large part of my work tells about something I know. It's close.”

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“Now, as when I made films that were too autobiographical, the problem is how to escape naturalism. If you tell a strictly true story, because the way you are telling it is false, it creates naturalism. But I become a naturalist. And to become a naturalist is something I avoid. It is fake life - that is the problem. It is because we are familiar with situationnisme, and the critique of the spectacle, et cetera, which is a very fair criticism. People who have no life, and who watch this fake life on a screen - it's a very alienated situation. And that's what situationnisme is about.”

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“I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.”

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