“My job description is to enlighten minds, open hearts and create world peace.” Quote by Chade-Meng Tan
“When the mind is un-agitated, when the mind is calm, that mind is most conducive to creative problem solving.” MindProblemCreativeCalmProblem Solving Author:Chade-Meng Tan
“And one of the powers of mindfulness is the ability to get to that frame of mind on demand.” MindAbilityMindfulnessPower Of The Mind Author:Chade-Meng Tan
“Kurt Russell said another brilliant thing. He had starred in umpteen movies by that point. And he said, "Generally speaking, in every film I've done, there are only about three or four scenes that I can really do something with. For the rest of it, it's not so much that you don't have to prepare, but there's not much you can really do. You just do what is asked of you in those scenes. You don't want to do too much."” DoneFilmSceneBrilliant Author:Tim Matheson
“It's the kind of sage wisdom coming from a guy who was 25 at the time, but already had 20 years of experience. Kurt Russell is a wonderful actor and a great guy.” KindGuyWonderfulGreat Guy Author:Tim Matheson
“I was just dying to get out of the constraints of television, and the constraints of the parts I'd been playing. I had taken a bunch of improv classes and was performing with The Groundlings. I wanted to get into more adult, risky stuff.” TakenDyingPerforming Author:Tim Matheson
“I had read the Animal House script, and by hook and crook, I finally got an audition. It was a great one. John Landis followed me out into the hallway afterward and said, "I've never done this before, but you've got the job. Now don't tell anyone!" I've never had a director do that. It was one of those Hollywood-dream-come-true stories. They saw me as a surfer or cowboy, not a preppie, but someone begged and borrowed me an audition, and I went in and got it.” DoneHouseAnimalCowboyHookTrue Story Author:Tim Matheson
“John Belushi infused Animal House with this spirit of guerilla filmmaking. John Landis came from that world too, and all the National Lampoon writers were from that world. It was just chaos on film. Controlled chaos, though. We stayed very close to the script. It was a very formal kind of movie, if you look at it. Formally photographed and structured, with certain elements of improv.” WorldKindFilmSpiritHouseAnimalChaosFilmmaking Author:Tim Matheson
“I grew up on a set. The guys I hung around with were crew guys: the camera department, the prop guys. I was like the third kid through the door when I was a kid actor on Leave It To Beaver. I was always one of five guys who would have a couple lines. I was a journeymen actor in my first career, so I was appreciative of the journeymen on the set.” KidsGuyCoupleHungAppreciative Author:Tim Matheson
“I'd been working on more traditional movie sets and TV shows at Universal. All of a sudden, here we're on location in Animal House, and it's down and dirty and quick. It was the way the new commercial world was shooting; the way the indie world was shooting. These were lighter, faster cameras. It was a generational change.” WorldHouseAnimalDirty Author:Tim Matheson
“Working with Steven Spielberg, how bad could it be? But "1941" was one of those excessively big movies where every action scene was done and re-done and re-done again. It was so overproduced and overly expensive. And it wasn't terribly funny.” DoneActionSceneBig Movie Author:Tim Matheson