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Quote by Jasmine Dubroff

“How do I describe the feeling that envelopes my being when he is near? It is like a cocoon of warmth and peace, but beneath that there is a deep longing, a hunger that one kiss would not be able to satisfy, one kiss would only make the hunger greater. But oh, how I long for that kiss, a kiss that might never come. Being close to him does things to me, makes me feel things I never knew existed, makes me want things I have never wanted before. I have never desired to know a man's body before I met Ariston. I wonder if he knows that I desire him in such a way, that I not only want to know his body, but that I want him to know mine. There is a part of me that would not care if he loves me or not if I could just have one beautiful, passionate night with him, while the rest of me knows that one night would never be enough.”

Quote by Jasmine Dubroff

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Jasmine Dubroff

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“Ah, I found you." Came a voice behind me. My heart skipped a beat as a smile spread across my face. How do I already know his voice? 'My ears have not yet drunk a hundred words of thy tongue’s uttering, yet I know the sound.' I remembered the line from Romeo and Juliet. I could not forget Ariston's voice if I tried. At the sound, all thoughts of the odd occurrence faded. I turned around to see Ariston Crete walking towards me. I realized when I saw him that there was a part of my mind that had wondered if he was real, if I had not only imagined his beauty, but clearly I had not. Somehow, he is real, right down to his ancient eyes. It felt just as indescribable to look into his eyes as it had before.”

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“Heart-Shaped Glasses (When the Heart Guides the Hand), the first single from Eat Me, Drink Me, features a video filmed by Titanic director James Cameron. In it, Manson croons to Wood, who – with bobbed hair, gloves and a demure frock – blankly masturbates in an audience of writhing lesbians, Manson’s image reflected in her heart-shaped glasses. I wanted to like the song, but found Manson’s threadbare voice and overdubbed music annoying, and the chorus - 'Don’t break my heart/and I won’t break your heart-shaped glasses' – suggested a pugilistic retribution ('Dump me, and I’ll punch your lights out!') more in keeping with Norman Mailer than Nabokov.”

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“With his pendulous penis swinging from side to side, the beast clip-clopped up a rickety flight of stairs led by Pablo Zapata's wife, who took him through a beaded curtain into a room where a bevy of sullen women reclined on tatty sofas. A collective gasp rang out among the group and many crossed themselves in silent prayer.”

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