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Quote by Sylvain Reynard

“As soon as the words presented themselves, Gabriel knew that they were perfect for him. Perfect for what he was contemplating doing to her. Perfect for his own self-justification. Tasting. Taking. Sucking. Sinning. Draining. Abandoning. She was pure. She was innocent. He wanted her. Facilis descensus Averni. But he would not be the one to make her bleed. He could not, would not, make another girl bleed for the rest of his life. All thoughts of seduction and mad, passionate f*cking on desks and chairs, against walls and bookshelves and windows, immediately gave way. He would not take her. He would not mark her and claim what he had no right to claim.”

Quote by Sylvain Reynard

Work

Gabriel's Inferno

A gripping narrative that delves into the complex emotions and moral dilemmas of its characters, set against the backdrop of a tumultuous love story. more

Author

Sylvain Reynard
Sylvain Reynard

Sylvain Reynard is a French author known for his romantic novels, characterized by complex emotional entanglements and profound character development. more

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“Think about it. We are fed in the Eucharist, by our mothers when we are infants, by our parents as children, by friends at dinner parties, by a lover when we feast on one another’s bodies…and on occasion, on one another’s souls. Don’t you want me to feed you? You don’t want to feast on my body, but at least feast on my cake.” Gabriel chuckled. When Julia didn’t answer, he turned his full attention to his dessert. She scowled. If he thought this disgusting display of food porn was going to get her attention and maybe make her a little hot and bothered until she was putty in his hands… …he was right.”

“Julia closed her eyes and concentrated on the words to Lacrimosa, sung loudly and hauntingly by the multi-voice choir in Latin… Day of Weeping,on which will rise from ashes guilty man for judgment. So have mercy, O Lord, on this man. Compassionate Lord Jesus, grant them rest. Amen. What is wrong with Gabriel that he listens to this over and over again? And what does it say about me that I can’t help but feel close to him when I listen to it? All I’ve done is replace his photograph with his cd — I’m just not sleeping with it under my pillow. I am one sick puppy.”

“In addition to her boulangerie and fromagerie French, she knew enough of the language to realize that the title of Rodin’s sculpture, Le Baiser in French, was part of its subversion. For baiser in French could mean either the innocence of a kiss or the animalistic quality of a f*ck. One could say le baiser and refer to a kiss, but if one said, Baise-moi, one was begging to be f*cked. Both innocence and begging were wrapped up in the embrace of these two lovers whose lips never touched: frozen together, yet separated for all eternity. Julia wanted to free them from their frozen embrace, and she secretly hoped her thesis would allow her to do so.”