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Quote by Sarah J. Maas

“I eased open the door. The room was similar to mine in shape, but was bedecked in hues or orange and red and gold, with faint traces of green and brown. Like being in an autumn wood. But while my room was all softness and grace, his was marked with ruggedness. In lieu of a pretty breakfast table by the window, a worm worktable dominated the space, covered in various weapons. It was there he sat, wearing only a white shirt and trousers, his red hair unbound and gleaming like liquid fire. Tamlin's court-trained emissary, but a warrior in his own right.”

Quote by Sarah J. Maas

Book:A Court of Thorns and Roses
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A Court of Thorns and Roses

This novel is a blend of fantasy and romance, set in a world where magic is real and love can be dangerous. The story follows a young protagonist who becomes entangled in a complex web of politics, magic, and forbidden love. more

Author

Sarah J. Maas
Sarah J. Maas

Sarah J. Maas is an American author known for her fantasy novels. Her works are celebrated for their rich imagination, complex characters, and gripping plots. Born on March 5, 1986, Maas has developed a passion for writing from a young age and has become a successful author in her own right. more

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“I eased open the door. The room was similar to mine in shape, but was bedecked in hues or orange and red and gold, with faint traces of green and brown. Like being in an autumn wood. But while my room was all softness and grace, his was marked with ruggedness. In lieu of a pretty breakfast table by the window, a worn worktable dominated the space, covered in various weapons. It was there he sat, wearing only a white shirt and trousers, his red hair unbound and gleaming like liquid fire. Tamlin's court-trained emissary, but a warrior in his own right.”

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“On the west portal, that is, the public face of the church, the archivolt has a striking collection of fifty two human heads: at the top of the arch, beneath a labarum, the faces are severe, but on either side they become progressively more grotesque and tormented, apparently because they are farther from God, perhaps even damned.”

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Book:The New Knighthood: A History of the Order of the Temple
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“Below this scene, amid waving palms, a lion raises itself towards a group of white-robed monks standing on a loggia in their convent. The point may be to show that the order could withstand the assaults of the enemies of the faith, symbolized here by the lion. In the latin rule hunting is forbidden to the templars as being a frivolous occupation; the one exception is the lion since 'he goes around seeking whom he can devour' and 'his hand is against all, and the hand of all is against him.”

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Book:The New Knighthood: A History of the Order of the Temple
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“That first evening home from the honeymoon, she'd hung a braided wreath of golden straw to catch the light of the setting sun and set a glamour over the table in the breakfast room--- to make it special, to bring Pierce's full attention from a stack of contracts to their first meal at home as husband and wife. The wine had seemed lusher to her, the vinaigrette on the salad brighter, the flash and shine of the silver and the creamy porcelain china enchanting.”

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Book:The Fairy Bargains of Prospect Hill
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“Stella is next up. Her cake is striking to look at, stacked in graduated tiers, so that it almost resembles half of a bee's nest. It's lightly frosted in that naked style, the icing scraped away to reveal the edges of the sponge, cooked to perfection. A honey-colored glaze drips attractively down the sides, and small fondant bees with almond silver wings cling to the tops of the cakes; a few are even hovering on wire to look like they are flying. "I must say I've never seen a cake shaped like this. What are the flavors?" Betsy asks, and Stella beams. "It's flavored with orange zest and honey.”

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Book:The Golden Spoon
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“The Czech chandelier was made of ten little skulls and too many bones for us to count. The house was filled with storied objects: dark portraits of her ancestors in scalloped, gilded frames; a grand piano, never played; massive chests with cavernous keyholes; a Bozdoğan mace; a solid-bronze candelabra, three feet high, with nine tendriling, gravity-defying arms. Around the living room hung suits of armor that fortified our feeling that her home was our fortress, our defense against the wrongheaded world.”

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Book:The Extinction of Irena Rey
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“The loft looked different in the daylight. The cushions against the window seat were a bright mango, the hand-embroidered pillows stitched with the same color in blossoming wildflowers. The artisan had painted floral designs on the dresser, on the wardrobe, and around the floor-length mirror. Outside, the rain had given way to verdant foliage and strong redbrick buildings, interspersed with colorful colonial row houses and Victorian homes.”

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Book:A Novel Love Story
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“The crown was a circle of woven branches, thick with color--- fragile huckleberry stalks, blooming twigs from chokecherry bushes, thimbleberry branches heavy with red fruit and star-shaped leaves. Tucked into the branches were flowers. Yellow glacier lilies, blue camas flowers and pink bitterroots. Everything was fresh and ripe, bursting with life and potential.”

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Book:The Tricky Business of Faerie Bargains
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“They made their way to the dining room, where the air was blossom-scented and gilded with candlelight. The mammoth Jacobean table, with its legs and support rails carved like twisted rope, had been covered with pristine white linen. A row of broad silver baskets filled with billows of June roses rested on a long runner of frothy green maidenhair ferns. The walls had been lined with lush arrangements of palms, hydrangeas, azaleas and peonies, turning the room into an evening garden. Each place at the table had been set with glittering Irish crystal, Sèvres porcelain, and no fewer than twenty-four pieces of antique Georgian silver flatware per guest.”

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Book:Devil's Daughter
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