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Looking for Alaska

John Green's Looking for Alaska is a poignant and humorous narrative that follows the life of a young student at a prep school. The story delves into the complexities of teenage relationships and the search for meaning in life, all while the characters navigate the challenges of adolescence. more

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John Green
John Green

John Green is an American author known for his young adult literature. His works often explore themes such as adolescence, love, family, and identity, and have gained popularity among young readers. Green's books have won numerous literary awards and have become bestsellers. more

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“She had said he had been driven away from her by a dream,--and there was no answer one could make her--there seemed to be no forgiveness for such a transgression. And yet is not mankind itself, pushing on its blind way, driven by a dream of its greatness and its power upon the dark paths of excessive cruelty and of excessive devotion. And what is the pursuit of truth, after all?”

TruthHumanityFallFearFireGraceMankindPrideAmbitionDrivenHuman ConditionSelf LoathingHauntedSelf HateSelf MotivatedAmbitious PeopleAmbitious MindsIdlesness
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“Pausing on the threshold, he looked in, conscious not so much of the few familiar sticks of furniture - the trucklebed, the worn strip of Brussels carpet, the chipped blue-banded ewer and basin, the framed illuminated texts on the walls - as of a perfect hive of abhorrent memories. That high cupboard in the corner, from which certain bodiless shapes had been wont to issue and stoop at him cowering out of his dreams; the crab-patterned paper that came alive as you stared; the window cold with menacing stars; the mouseholes, the rusty grate - trumpet of every wind that blows - these objects at once lustily shouted at him in their own original tongues. ("Out Of The Deep")”

FearNightmareNightmares
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“One day I'm a normal person with a normal life,” he said. “The next I'm standing on a street corner in Madrid with a secret phone and a hole in my arm and I'm bleeding all over, hoping I don't get arrested. It was completely crazy. But it seemed like the only way at the time.”

LifeFearSecretCrazyCrimeInsanityWeirdSecrecyBleedingAbnormalNormalityDrug UseDoping
Book:The Secret Race: Inside the Hidden World of the Tour de France: Doping, Cover-ups, and Winning at All Costs
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“This was it. This was what I had never felt before--an emotional connection to another human being. I'd tried kindness, I'd tried love, I'd tried friendship. I'd tried talking and sharing and watching, and nothing had ever worked until now. Until fear. I felt her fear in every inch of my body like an electric hum, and I was alive for the first time. I needed more right then or the craving would eat me alive.”

FearSerial KillerFeeling Alive
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“The desire to make art begins early. Among the very young this is encouraged (or at least indulged as harmless) but the push toward a 'serious' education soon exacts a heavy toll on dreams and fantasies....Yet for some the desire persists, and sooner or later must be addressed. And with good reason: your desire to make art -- beautiful or meaningful or emotive art -- is integral to your sense of who you are. Life and Art, once entwined, can quickly become inseparable; at age ninety Frank Lloyd Wright was still designing, Imogen Cunningham still photographing, Stravinsky still composing, Picasso still painting. But if making art gives substance to your sense of self, the corresponding fear is that you're not up to the task -- that you can't do it, or can't do it well, or can't do it again; or that you're not a real artist, or not a good artist, or have no talent, or have nothing to say. The line between the artist and his/her work is a fine one at best, and for the artist it feels (quite naturally) like there is no such line. Making art can feel dangerous and revealing. Making art is dangerous and revealing. Making art precipitates self-doubt, stirring deep waters that lay between what you know you should be, and what you fear you might be. For many people, that alone is enough to prevent their ever getting started at all -- and for those who do, trouble isn't long in coming. Doubts, in fact, soon rise in swarms: "I am not an artist -- I am a phony. I have nothing worth saying. I'm not sure what I'm doing. Other people are better than I am. I'm only a [student/physicist/mother/whatever]. I've never had a real exhibit. No one understands my work. No one likes my work. I'm no good. Yet viewed objectively, these fears obviously have less to do with art than they do with the artist. And even less to do with the individual artworks. After all, in making art you bring your highest skills to bear upon the materials and ideas you most care about. Art is a high calling -- fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others -- indeed anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit. Each step in the artmaking process puts that issue to the test.”

ArtFear
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