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Quote by Elin Hilderbrand

“Margaret's favorite kind of news story is - would anyone believe this? - the weather. The dull, the prosaic, the default I-have-nothing-else-to-talk-about-so-let's-talk-about-the-weather topic is, to Margaret's mind, a stunning daily phenomenon, overlooked, and taken for granted. Margaret loves it all: hurricanes, tornadoes, blizzards, lightning storms, and - the ultimate bonanza - an earthquake followed by a tsunami. This may seem sadistic, but even as she mourns any loss of life, she is intrigued by the science of it. Weather is a physical manifestation of the earth's power. Margaret also likes that weather defies prediction. Meteorologists can get close, but there are no guarantees. The world, Margaret thinks, is full of surprises.”

Quote by Elin Hilderbrand

Work

Winter Storms

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Author

Elin Hilderbrand
Elin Hilderbrand

Elin Hilderbrand is an American author known for her heartwarming family novels. Her works are typically set in Massachusetts and tell stories about love, family, and friendship. more

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“X "La ciencia es más que un cuerpo de conocimiento, es una manera de pensar. Tengo un presagio de la época de mis hijos o mis nietos, cuando Estados Unidos sea una economía de servicios e información; cuando casi todas las principales industrias manufactureras se hayan ido a otros países; cuando los increíbles poderes tecnológicos estén en manos de muy pocos, y nadie que represente el interés público pueda siquiera comprender los problemas; cuando la gente haya perdido la capacidad de establecer sus propias agendas o cuestionar sabiamente a los que tienen autoridad; cuando, abrazados a nuestras bolas de cristal y consultando nerviosamente nuestros horóscopos, con nuestras facultades críticas en declive, incapaces de distinguir entre lo que se siente bien y lo que es verdad, nos deslicemos de vuelta, casi sin darnos cuenta, en la superstición y la oscuridad. La caída en la estupidez de Norteamérica se hace evidente principalmente en la lenta decadencia del contenido de los medios de comunicación, de enorme influencia, las cuñas de sonido de treinta segundos (ahora reducidas a diez o menos), la programación de nivel ínfimo, las crédulas presentaciones de pseudociencia y superstición, pero sobre todo en una especie de celebración de la ignorancia.”

“There is one great difficulty with a good hypothesis. When it is completed and rounded, the corners smooth and the content cohesive and coherent, it is likely to become a thing in itself, a work of art. It is then like a finished sonnet or painting completed. One hates to disturb it. Even if subsequent information should shoot a hole in it, one hates to tear it down because it once was beautiful and whole.”

“We observe a fraction of the process, like hearing the vibration of a single string in an orchestra of supergiants. We know, but cannot grasp, that above and below, beyond the limits of perception or imagination, thousands and millions of simultaneous transformations are at work, interlinked like a musical score by mathematical counterpoint. It has been described as a symphony in geometry, but we lack the ears to hear it.”