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Quote by Tiffany Baker

“She looked for any sign of the boy who'd taught her to whistle a hornpipe, who could palm an ace of hearts and make it reappear from her sleeve, but failed to find even a glimmer of him. Instead she saw Ida taking on a second life in the features of her only son, and for a quick heartbeat Jo was almost grateful for the scar tissue dimpled across her cheek, forehead, and chin. No one would ever be able to invade her face, she realized. She would always simply be herself, whether she liked it or not.”

Quote by Tiffany Baker

Work

The Gilly Salt Sisters

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Author

Tiffany Baker
Tiffany Baker

Tiffany Baker is a contemporary author whose works are highly praised for their unique narrative style and profound thematic explorations. Her writing spans various genres, including fantasy, mystery, and realism. more

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“What I feel now doesn't matter at all? But at what point am I entitled to say to myself, what I am feeling now is valid? After all, Anna-' Here Tommy turned to face her: 'one can't go through one's whole life in phases. There must be a goal somewhere.' His eyes gleamed out hatred; and it was with difficulty that Anna said: 'If you're suggesting that I've reached a goal, and I'm judging you from some superior point, then it's not true.' 'Phases,' he insisted. 'Stages. Growing pains.' 'But I think that's how women see-people. Certainly their own children. In the first place, there's always been nine months of not knowing whether the baby would be a girl or a boy. Sometimes I wonder what Janet would have been like if she'd been born a boy. Don't you see! And then babies go through one stage after another, and then they are children. When a woman looks at a child she sees all the things he's been at the same time. When I look at Janet sometimes I see her as a small baby and I feel her inside my belly and I see her as various sizes of small girl, all at the same time.' Tommy's stare was accusing and sarcastic, but she persisted: 'That's how women see things. Everything in a sort of continuous creative stream-well, isn't it natural we should?”

“You know all those bad girls who take off their selendang and put round their neck like fashion-show? One day, when the wind is very strong, the selendang will catch the wind. Then it will swing up and down and then round and round so fast, very fast, until it traps the spirit of the wind. Then it will grow long and thick and wrap itself round and round and round this girl’s neck. And then, when the girl cannot breathe, it will swallow her whole. Be careful, girl, be careful how you wear this.”

“The most valuable thing [Anton LaVey] did that day was to help me understand and come to terms with the deadness, hardness and apathy I was feeling about myself and the world around me, explaining that it was all necessary, a middle step in an evolution from an innocent child to an intelligent, powerful being capable of making a mark on the world.”