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Quote by Andre the BFG

“The celebs I hate are the manufactured celebs. Famous people are surrounded by parasites and cocksuckers - people who hope to make a bit out of it themselves or grab a few crumbs from the table. But a while back one of these parasites figured out "why go through all the hard work of trying to discover a talented sucker before somebugger else does?". "Why not just CREATE one, right here, right now?". So they pick someone who maybe owns one or two bits of the celebrity toolbox - an arse that doesn't look like it fell off the back of a refuse truck, or a complete lack of self-consciousness - and teach them to simulate the other bits. It works fine for the cameras, but when you meet them in real life - oh dear.”

Quote by Andre the BFG

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Andre's Adventures in MySpace

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Andre the BFG

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“God has a special place especially for sinners like you, a filthy, stinking, dirty pit with horrendous fire and smoke all around where you'll be awake and cognizant but you have to go through the intense torture and anguish by the vicious and most ferocious demons, where you'll suffer and yelp and regret and scream and screech and yell forever till the end of time!!," recounted by a religious leader who has all the qualities to land in the Heaven starting from extreme pride, enormous greed, horrid lust, despicable envy, intense gluttony, monstrous wrath, and exorbitant sloth.”

“Keiner weiß etwas über die Liebe. Und doch haben sie die allermeisten schon erlebt. Die Liebe kommt und geht, und man kennt sich vorher nicht aus, und man kennt sich nachher nicht aus, und am allerwenigsten kennt man sich aus, wenn sie da ist. Und deswegen lass Dir eines sagen: Niemand taugt für die Liebe, und trotzdem oder gerade deswegen erwischt sie fast jeden von uns irgendwann einmal!”

“Alis had found me a luxurious white velvet cloak for the brisk ride into the hills, and Tamlin had lifted me onto a moon-pale mare with wildflowers woven into her silver mane. If I had wanted to paint a picture of serene purity, it would have been the image I cast that morning, my hair braided above my head, a crown of white hawthorn blossoms upon it. I'd dabbed rouge onto my cheeks and lips- a slight hint of colour. Like the first blush of spring across a winter landscape.”

“Tradition? Kadash, did I ever tell you about my first sword trainer? Back when I was young, our branch of the Kholin family didn't have grand monasteries and beautiful practice grounds. My father found a teacher for me from two towns over. His name was Harth. Young fellow, not a true swordmaster -- but good enough. He was very focused on proper procedure, and wouldn't let me train until I'd learned how to put on a takama the right way. He wouldn't have stood for me fighting like this. You put on the skirt, then the overshirt, then you wrap your cloth belt around yourself three times and tie it. I always found that annoying. The belt was too tight, wrapped three times -- you had to pull it hard to get enough slack to tie the knot. The first time I went to duels at a neighboring town, I felt like an idiot. Everyone else had long drooping belt ends at the front of their takamas. I asked Harth why we did it differently. He said it was the right way, the true way. So, when my travels took me to Harth's hometown, I searched out his master, a man who had trained with the ardents in Kholinar. He insisted that this was the right way to tie a takama, as he'd learned from his master. I found my master's master's master in Kholinar after we captured it. The ancient, wizened ardent was eating curry and flatbread, completely uncaring of who ruled the city. I asked him. Why tie your belt three times, when everyone else thinks you should do it twice? The old man laughed and stood up. I was shocked to see that he was terribly short. 'If I only tie it twice,' he exclaimed, 'the ends hang down so low, I trip!' I love tradition, I've fought for tradition. I make my men follow the codes. I uphold Vorin virtues. But merely being tradition does not make something worthy, Kadash. We can't just assume that because something is old it is right.”