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Quote by Khaled Hosseini

Work

A Thousand Splendid Suns

This novel delves into the lives of two women in Afghanistan, highlighting their struggles and triumphs amidst political turmoil and personal tragedy. The narrative weaves through decades, showcasing the evolving dynamics of their relationships and the resilience of the human spirit in a challenging environment. more

Author

Khaled Hosseini
Khaled Hosseini

Khaled Hosseini is an Afghan-American novelist, best known for his novel 'The Kite Runner,' which has become a global bestseller. The story, centered around themes of friendship, betrayal, and redemption, has resonated with readers worldwide. Hosseini's works often focus on the history and culture of Afghanistan, as well as the complexities of human nature. more

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“But so much of a man's life is merely a matter of choice, the declared—the right choice, the wrong choice. And even if a man makes the wrong choice, he can still change it. He simply has to change his mind. "You're a man, Owen, aren't you? And, really, when you have good health, you men are your minds. You can become a man of action, if you want. Or of religion. Or both. You may not end up famous for it, like your beloved father, but you can be it. Tell me Owen, isn't that how it is?" She stared grimly down at the black waves and clenched the rail with both hands.”

“This may have been the single biggest difference between my teenage self and my middle-aged self: that I'd once been roiling with thoughts and opinions and yearnings that I suspected were strange or shameful or simply inexpressible, and therefore didn't express them. As I got older, it wasn't the thoughts and opinions and yearnings that went away; only, over time, their suppression.”

“As demobilization loomed on the horizon, the image of women as comrades-in-arms was replaced by the image of women as competitors for men. And with this shift came a shift in public opinion. Enthusiastic admiration for Rosie the Riveter was replaced by the prevailing idea that 'Women ought to be delighted to give up any job and return to their proper sphere - the kitchen.' All of a sudden, in every medium of popular culture, women were barraged with propaganda and the value of domesticity . . . Ignoring poll after poll that suggested that the majority of women wanted to continue working, the women's magazines focused almost exclusively on those women who were ready to quit.”