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Quote by Joshua Reynolds

“The search for perfection is a subtle drug. It draws the mind along circuitous routes, deeper and deeper into itself, until nothing can be seen except the ideal. Desire blinds one to purpose, and thus renders true perfection impossible.”

Quote by Joshua Reynolds

Book:Fulgrim: The Palatine Phoenix
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Fulgrim: The Palatine Phoenix

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Author

Joshua Reynolds
Joshua Reynolds

Joshua Reynolds was an influential English painter, recognized for his portraits and landscapes. Born on July 16, 1723, and passing away on February 23, 1792, Reynolds played a significant role in the development of the English portrait school and is often considered the first president of the Royal Academy of Arts. more

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“Cassian surveyed her. Gazed into her eyes and breathed. 'Beautiful.' He didn't halt the hand she laid on his muscled chest. Or when she pushed against that chest, backing him into the wall, his wings splaying on impact. He just stared and stared at her, marvelling- hungry. Nesta didn't, couldn't, move as Cassian leaned to whisper in her ear. 'The first time I saw that look on your face, you were still human. Still human, and I nearly went to my knees before you.' His breath caressed the shell of her ear and she couldn't stop her eyes from fluttering shut. His smile brushed against her temple. 'Your power is a song, and one I've waited a very, very long time to hear, Nesta.”

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“She could imagine how it would be. That was the worst part. The suggestive taunts that made her feel clumsy and hyper-vigilant, the soft touches that could spring like a trap—they painted a very vivid picture of what it would be like to fuck him, yes. He would not be nice or gentle, but he would be good, and he would gore her heart like any other trophy in this place just as soon as he was done playing with it.”

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Book:Raise the Blood
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“We must remember with Heine that Aristophanes is the God of this ironic earth, and that all argument is apparently vitiated from the start by the simple fact that Wagner and a rooster are given an analogous method of making love. And therefore it seems impeccable logic to say that all that is most unlike the rooster is the most spiritual part of love. All will agree on that, schisms only arise when one tries to decide what does go farthest from the bird's automatic mechanism. Certainly not a Dante-Beatrice affair which is only the negation of the rooster in terms of the swooning bombast of adolescence, the first onslaught of a force which the sufferer cannot control or inhabit with all the potentialities of his body and soul. But the rooster is troubled by no dreams of a divine orgy, no carnival-loves like Beethoven's Fourth Symphony, no heroic and shining lust gathering and swinging into a merry embrace like the third act of Siegfried. It is desire in this sense that goes farthest from the animal.”

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