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Quote by John Crowley

“The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on. He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")”

Quote by John Crowley

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John Crowley
John Crowley

John Crowley, born on December 1, 1942, is an American author known for his fantasy and literary novels. His works are celebrated for their rich imagination and profound thematic explorations. more

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“أعرف مثلاً أنني -يوماً ما- سأقضي حياتي متنقلاً بين شقة وأخرى في المناطق التي لم أعش فيها يوماً في هذا البلد وتبدو لي غريبة. برج حمود مثلاً. المجتمع الأرمني يجذبني. ربما لأنني لا أعرف عنه كثيراً. يجنح بي الخيال لأرى نفسي في حضرة عجوز أرمنية في كرسي هزاز فيما أنا تحت قدميها، أجلس القرفصاء وأستمع لحكاياتها التي لا تنتهي عن بطل أرمني ما ذبحه الأتراك. وستخبرني العجوز الأرمنية عن الرمّان وهي تقدم لي بعض حبوبه. تقول لي أن كوز الرمان يحوي 365 حبة. تقول لي أن الرمان أنقذ العائلات الأرمنية من الموت المحتم في زمن الأتراك. في الكهوف جلسوا. كلٌّ بيده رمانة. حبة واحدة كل يوم. حبة تبعد الموت لعام كامل. هل هذا صحيح؟ الأرجح لا. لكنّ قصة الرمانة تبقى، شأنها شأن كل القصص، شأنها كل المشاهد التي رأيتها والتي لستُ حتى واثقاً من حدوثها فعلياً.”

“It must take a lot of self-discipline,' she said. 'Oh, I don't know. I don't have much.' He felt himself about to say again, and unable to resist saying, that 'Dumas, I think it was Dumas, some terrifically prolific Frenchman, said that writing novels is a simple matter - if you write one page a day, you'll write one novel a year, two pages a day, two novels a year, three pages, three novels, and so on. And how long does it take to cover a page with writing? Twenty minutes? An hour? So you see. Very easy really.' 'I don't know,' she said, laughing. 'I can't even bring myself to write a letter.' 'Oh, now that's hard.' ("Novelty")”

“If writers only dared to dare, a Suetonius or a Tacitus of the Novel could exist, for the Novel is essentially the history of manners, turned into a story and a play, as is History itself often enough. And there is no other difference than this: that the one, the Novel, cloaks its manners under the disguise of invented characters, while the other, History, provides names and addresses. Only, the Novel probes much deeper than history. It has an ideal, and History has none; it is limited by reality. The Novel also holds the stage much longer. ("A Woman's Vengeance")”

“The men were smashing windows and aiming their weapons through them. The driver had opened the door and was shouting for the women and children to get out and run and hide. But Ilina realized in some vague way that he never managed to actually say the word "hide." He really said, "Women and children, get out, get out, get out! Run and..." The clerk's wife thought it was odd that he had stopped in the middle of a sentence, and even stranger that she herself knew the word, heard the word "hide" in her head when the driver stopped talking.”

“My Beth. Sitting patient in the shadow Till the blessed light shall come, A serene and saintly presence Sanctifies our troubled home Earthly joys, and hope, and sorrows, Break like ripples on the strand Of the deep and solemn river Where her willing feet now stand. Oh, my sister, passing from me, Out of human care and strife, Leave me, as a gift, those virtues which have beautified your life. Dear, bequeath me that great patience Which has power to sustain A cheerful, uncomplaining spirit In its prison-house of pain. Give me, for I need it sorely, Of that courage, wise and sweet, Which has made the path of duty Green beneath your willing feet. Give me that unselfish nature, That with charity divine Can pardon wrong for love's dear sake- Meek heart, forgive me mine! Thus our parting daily loseth Something of its bitter pain, And while learning this hard lesson, My great loss becomes gain. For the touch of grief will render My wild nature more serene, Give to life new aspirations- A new trust in the unseen. Henceforth, safe across the river, I shall see forever more A beloved, household spirit Waiting for me on the shore. Hope and faith, born of my sorrow, Guardian angels shall become, And the sister gone before me, By their hands shall lead me home.”