Quotessence
Home / Books / American Fantastic Tales: Terror and the Uncanny from the 1940s to Now

American Fantastic Tales: Terror and the Uncanny from the 1940s to Now

Book by John Crowley · 15 quotes · Death, Writers, Writing

Filter quotes by topic

AllDeathWritersWritingCreativityGraveNovelWomenAbyssAgeArtBartenderCautionCityClownDefeatDisciplineDivorceDreamsElderlyEquator

American Fantastic Tales: Terror and the Uncanny from the 1940s to Now Quotes

“All life is death. You don't fool yourself about this anymore. You slash at the perfect canvas with strokes of paint and replace the perfect picture of your imagination with the reality of what you are capable of. From death, and sorrow, and compromise, you create. This is what it means, you finally realize, to be alive. ("The Chambered Fruit")”

LifeArtDeathImaginationCreativity
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“The door of the bar opened, showing him a momentary oblong of true daylight, blankly white. A woman entered. He couldn't see her face as she crossed to the bar in front of the window, but he could see, drawn with exactitude by the light behind her, her legs within a summery white dress. When young he had supposed, without giving it much thought, that women didn't realize that sun behind them revealed them in this way; now he supposes that of course they must, and thinks about it. ("Novelty")”

Women
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“The panic disappeared under those soothing old fingers and the breathing slowed down and stopped hurting the chest as if a fox was caught in it, and then at last Mr. Kroger began to lecture the boy as he used to, Pablo, he murmured, don't ever be so afraid of being lonely that you forget to be careful. Don't forget that you will find it sometimes but other times you won't be lucky, and those are the times when you have got to be patient, since patience is what you must have when you don't have luck. ("The Mysteries of the Joy Rio")”

PatienceLuck
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on. He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")”

WritingPoetryCreativityNovelPoetWriters
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“It must take a lot of self-discipline,' she said. 'Oh, I don't know. I don't have much.' He felt himself about to say again, and unable to resist saying, that 'Dumas, I think it was Dumas, some terrifically prolific Frenchman, said that writing novels is a simple matter - if you write one page a day, you'll write one novel a year, two pages a day, two novels a year, three pages, three novels, and so on. And how long does it take to cover a page with writing? Twenty minutes? An hour? So you see. Very easy really.' 'I don't know,' she said, laughing. 'I can't even bring myself to write a letter.' 'Oh, now that's hard.' ("Novelty")”

WritingNovelDisciplineWritersProcrastination
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“Oh ... why not?' he smiled. "This valley is a pleasant spot for meditation. I like New England... it is here that I have experienced some of my greatest successes - and several notable defeats. Defeat, you know, is not such a bad thing, if there's not too much of it... it makes for humility, and humility makes for caution, therefore for safety.' ("Trace")”

HumilitySafetyDefeatCaution
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“Yes, I lay in my grave. But if you lie in a grave long enough, you get accustomed to it and you don't want to part from it. He had given me a pill of cyanide, He and his wife and their son also carried such pills. We all lived with death, and I want you to know that one can fall in love with death. Whoever has loved death cannot love anything else any more. When the liberation came and they told me to leave, I didn't want to go. I clung to the threshold like an ox being dragged to the slaughter. ("Hanka")”

DeathHolocaustGrave
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“The days were brief and attenuated and the season appeared to be fixed - neither summer nor winter, spring nor fall. A thermal haze of inexpressible sweetness, though bearing tiny bits of grit or mica, had eased into the Valley from the industrial region to the north and there were nights when the sun set at the western horizon as if it were sinking through a porous red mass, and there were days when a hard-glaring moon like bone remained fixed in a single position, prominent in the sky. ("Family")”

SunMoonPollution
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“As I drifted along with my bodiless invisibility, I felt myself more and more becoming an empty, floating shape, seeing without being seen and walking without the interference of those grosser creatures who shared my world. It was not an experience completely without interest or even pleasure. The clown's shibboleth of "here we are again" took on a new meaning for me as I felt myself a novitiate of a more rarified order of harlequinry. ("The Last Feast Of The Harlequin")”

FoolClownJesterHarlequin
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“Novelty. Security. Novelty wouldn't be a bad title. It had the grandness of abstraction, alerting the reader that large and thoughtful things were to be bodied forth. As yet he had no inkling of any incidents or characters that might occupy his theme; perhaps he never would. He could see though the book itself, he could feel its closed heft and see it opened, white pages comfortably large and shadowed gray by print; dense, numbered, full of meat. He sensed a narrative voice, speaking calmly and precisely, with immense assurance building, building; a voice too far off for him to hear, but speaking. ("Novelty")”

WritingInspirationWriters
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“When the ship approached the equator, I stopped going out on deck in the daytime. The sun burned like a flame. The days had shortened and night came swiftly. One moment it was light, the next it was dark. The sun did not set but fell into the water like a meteor. Late in the evening, when I went out briefly, a hot wind slapped my face. From the ocean came a roar of passions that seemed to have broken through all barriers:'We mus procreate and multiply! We must exhaust all the powers of lust!' The waves glowed like lava, and I imagined I could see multitudes of living beings - algae, whales, sea monsters - reveling in an orgy, from the surface to the bottom of the sea. Immortality was the law here. The whole planet raged with animation. At times, I heard my name in the clamor: the spirit of the abyss calling me to join them in their nocturnal dance. ("Hanka")”

SeaOceanSunsetAbyssEquatorOrgySea Monsters
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“Seen from inside the bar, the avenue, the stores opposite, the street glimpsed going off at right angles, the trapezoid of sky visible above the lower buildings, are altered by the tinted windows into an elsewhere, oddly peaceful, a desert or the interior of the sea. Sometimes when he has fallen asleep face upward in the sun, his dreams have taken on this quality of supernatural bright darkness. ("Novelty")”

DreamsCity
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image

“But I was awake, sitting by the window looking down at the trailer and Mr. Zoltan's truck. I could not sleep. That is how it is with folks my age. We take naps during the day, and then we cannot sleep at night. I think that it is because God is getting us ready for the grave. Is that right? Did He ever tell you? ("The Little Stranger")”

AgeDeathSleepElderlyGrave
Book:American Fantastic Tales: Terror and the Uncanny from the 1940s to Now
Create image