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Roger Spitz

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“The greatest thing I learned while taking classes at Second City was the very first thing they taught: 'Yes, and...'. In improv, you keep scenes alive but accepting whatever you are given and then adding to it or amplifying it. There is no space on stage for 'No,' 'I'm sorry, you're mistaken,' or 'Yes, but...'. Those transitions kill energy, set up interpersonal conflict, engage the ego in a defensive posture, and stymie the flow of conversation onstage.”

“I can barely forgive myself for the time when I negged Billy from my improv troupe onstage. He said, “I have a gift for you,” and my first instinct was to say, “No you don’t.” The scene died right then and there. See what happens when I try to nurture something? I know it seems dramatic to relate destroying an improv scene to possibly destroying a child’s life, but improv and child rearing are not so different. Both are jobs that people volunteer for and complain about endlessly, and they bore everyone around them as they talk about the process.”