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Quote by Peter Hacks

“Gerade Künstler mit zwanghaftem Arbeitstrieb wie Mozart oder Balzac bedurften der gewaltsamen Losreißung vom Werk. Mozart erholte sich vom Klavierspiel beim Glücksspiel, Balzac erholte sich in der eleganten Welt von der Welt, beide starben dann an ihren Erholungen.”

Quote by Peter Hacks

Book:Die Maßgaben der Kunst
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Die Maßgaben der Kunst

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Peter Hacks

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“I sit with Shakespeare and he winces not. Across the color-line I move arm in arm with Balzac and Dumas, where smiling men and welcoming women glide in gilded halls. From out the caves of the evening that swing between the strong-limbed earth and the tracery of the stars, I summon Aristotle and Aurelius... and they come all graciously with no scorn nor condescension. So, wed with Truth, I dwell above the Veil.”

TruthShakespeareWilliam ShakespeareBalzacAristotleVeilAlexandre DumasMarcus AureliusDumasAureliusHonoré De Balzac
Book:The Souls of Black Folk
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“Balzac was pretty funny. His philosophy is plain and simple, says basically that pure materialism is a recipe for madness. The only true knowledge for Balzac seems to be in superstition. Everything is subject to analysis. Horde your energy. That’s the secret of life. You can learn a lot from Mr. B. It’s funny to have him as a companion. He wears a monk’s robe and drinks endless cups of coffee. Too much sleep clogs up his mind. One of his teeth falls out, and he says, “What does this mean?” He questions everything. His clothes catch fire on a candle. He wonders if fire is a good sign. Balzac is hilarious.”

NovelistsWritersEccentricityBalzacFrench Writers
Book:Chronicles, Volume One
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“The main thing is not to be deceived, that is, to lie and and simulate better than the others. All Stendhal's great novels revolve around the problem of hypocrisy, around the secret of how to deal with men and how to rule the world; they are all in the nature of text-book of political realism and courses of instruction in political amoralism. In his critique of Stendhal, Balzac already remarks that Chartreuse de Parme is a new Principe, which Machiavelli himself, if he had lived as an emigre in the Italy of nineteenth century, would not have been able to write any differently. Julien Sorel's Machiavellian motto, "Qui veut les fins veut les moyens," here acquires its classical formulation, as used repeatedly by Balzac himself, namely that one must accept the rules of the world's game, if one wants to count in the world and to take part in the play.”

Nineteenth CenturyBalzacStendhalMachiavellianismJulien SorelPolitical Realism
Book:The Social History of Art: Volume 4: Naturalism, Impressionism, The Film Age
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