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Dumas Quotes

Browse 18 quotes about Dumas.

Dumas Quotes

“I sit with Shakespeare and he winces not. Across the color-line I move arm in arm with Balzac and Dumas, where smiling men and welcoming women glide in gilded halls. From out the caves of the evening that swing between the strong-limbed earth and the tracery of the stars, I summon Aristotle and Aurelius... and they come all graciously with no scorn nor condescension. So, wed with Truth, I dwell above the Veil.”

“I had a chance to read Monte Christo in prison once, too, but not to the end. I observed that while Dumas tries to create a feeling of horror, he portrays the Château d'If as a rather benevolent prison. Not to mention his missing such nice details as the carrying of the latrine bucket from the cell daily, about which Dumas with the ignorance of a free person says nothing. You can figure out why Dantès could escape. For years no one searched the cell, whereas cells are supposed to be searched every week. So the tunnel was not discovered. And then they never changed the guard detail, whereas experience tells us that guards should be changed every two hours so one can check on the other. At the Château d'If they didn't enter the cells and look around for days at a time. They didn't even have any peepholes, so d'If wasn't a prison at all, it was a seaside resort. They even left a metal bowl in the cell, with which Dantès could dig through the floor. Then, finally, they trustingly sewed a dead man up in a bag without burning his flesh with a red-hot iron in the morgue and without running him through with a bayonet at the guardhouse. Dumas ought to have tightened up his premises instead of darkening the atmosphere.”

“When I asked you if you were consoled, I was speaking to you as a man for whom the human heart holds no secrets. Well, then, Morrel, let us sound the depths of your heart. Is it still that ardent impatience of pain that makes the body leap like a lion bitten by a mosquito? Is it still that raging thirst that can be sated only in the tomb? Is it that ideal notion of regret that launches the living man out of life in pursuit of death? Or is it merely the prostration of exhausted courage, the ennui that stifles the ray of hope as it tries to shine? Is it the loss of memory, bringing an impotence of tears? Oh, my friend, if it is that, if you can no longer weep, if you think your numbed heart is dead, if you have no strength left except in God and no eyes except for heaven – then, my friend, let us put aside words that are too narrow to contain the meanings our soul would give them. Maximilien, you are consoled, pity yourself no longer.”

“I suppose my attitude toward the creative process is much like that of Alexandre Dumas pere when he was approached by a young aspirant who boasted that he was going to write a novel much better than either “The Three Musketeers” or “The Count of Monte Cristo”. ‘Have you an attractive setting?’ the veteran writer asked politely, and the young man replied: ‘The greatest! Ominous islands. Gleaming castles. Wooded glens with gracious mansions.’ ‘Have you interesting characters?’ ‘Kings and princesses and dubious cardinals.’ ‘But have you a logical plot to tie this together?’ ‘A most ingenious one. Twists and turns that will bewilder and delight.’ Said Dumas: ‘Young man, you’re in excellent shape. Now all you need are two hundred thousand words, and they’d better be all the right ones.’” —Chapter IX, “Intellectual Equipment”, pages 311-312”

“Catherine ne répondit point. Elle tourna lentement son regard vers la tapisserie contre laquelle il était appuyé. Alors elle ramena sur Charles un œil qui voulait dire : Alors, pourquoi vit-il ? -Il vit... il vit... murmura Charles IX, qui comprenait parfaitement ce regard et qui y répondait, comme on le voit, sans hésitation ; il vit, parce qu'il... est mon parent.”