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Quote by Marianne Boruch

Work

Cadaver, Speak

In this thought-provoking novel, the reader is taken on a journey through the afterlife as seen through the eyes of a recently deceased character. The narrative delves into themes of existence, morality, and the search for meaning beyond death. more

Author

Marianne Boruch
Marianne Boruch

Marianne Boruch is an American poet born in June 1950. Her poetry is known for its profound emotion and unique style, exploring themes of human existence. more

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“The courage of the authoritarian character is essentially a courage to suffer what fate or its personal representative or “leader” may have destined him for. To suffer without complaining is his highest virtue—not the courage of trying to end suffering or at least to diminish it. Not to change fate, but to submit to it, is the heroism of the authoritarian character.”

CourageVirtueFateSubmissionAuthoritarianism1941Suffering In SilenceMechanisms Of EscapeAuthoritarian Character
Book:Escape from Freedom
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“The duration of a person’s life is only a moment; our substance is flowing away this very moment; the senses are dim; the composition of the body is decaying, the soul is chaos, our fate is unknowable, and reputation uncertain. In a word all bodily things are like a flowing river, and everything of the soul is dream and smoke, and life is all warfare and a stranger’s wanderings, and the reward is oblivion. What then could possibly guide us? Only one thing: Philosophy.”

SoulPhilosophyFate
Book:The Essential Marcus Aurelius
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“All at once the anger ran out of John Harkless; he was a hard man for anger to tarry with. And in place of it a strong sense of home-coming began to take possession of him. He was going home. “Back to Plattville, where I belong,” he had said; and he said it again without bitterness, for it was the truth. “Every man cometh to his own place in the end.” Yes, as one leaves a gay acquaintance of the playhouse lobby for some hard-handed, tried old friend, so he would wave the outer world God-speed and come back to the old ways of Carlow. What though the years were dusty, he had his friends and his memories and his old black brier pipe. He had a girl’s picture that he should carry in his heart till his last day; and if his life was sadder, it was infinitely richer for it. His winter fireside should be not so lonely for her sake; and losing her, he lost not everything, for he had the rare blessing of having known her. And what man could wish to be healed of such a hurt? Far better to have had it than to trot a smug pace unscathed. He had been a dullard; he had lain prostrate in the wretchedness of his loss. “A girl you could put in your hat — and there you have a strong man prone.” He had been a sluggard, weary of himself, unfit to fight, a failure in life and a failure in love. That was ended; he was tired of failing, and it was time to succeed for a while. To accept the worst that Fate can deal, and to wring courage from it instead of despair, that is success; and it was the success that he would have. He would take Fate by the neck. But had it done him unkindness? He looked out over the beautiful, “monotonous” landscape, and he answered heartily, “No!” There was ignorance in man, but no unkindness; were man utterly wise he were utterly kind.”

SuccessDestinyCourageFateGratitudeAngerResolutionSelf PityGoing Home
Book:The Gentleman from Indiana
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