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Quote by Madeline Miller

Work

The Song of Achilles

An adaptation of the Iliad, this novel explores the relationship between Achilles, the legendary warrior, and his close friend Patroclus, set against the backdrop of the Trojan War. more

Author

Madeline Miller
Madeline Miller

Madeline Miller is an American novelist known for her modern interpretations of Greek mythology. Born on July 24, 1978, she graduated from Princeton University and later earned a Ph.D. from Harvard University. Her works, 'The Song of Achilles' and 'Circe', have been widely acclaimed by readers. more

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“Why did God set it up like this?” Rachel asked. “With them as masters and us as slaves?” “There is no God, child. There’s religion but there’s no God of theirs. Their religion tells that we will get our reward in the end. However, it apparently doesn’t say anything about their punishment. But when we’re around them, we believe in God. Oh, Lawdy Lawd, we’s be believin’. Religion is just a controlling tool they employ and adhere to when convenient.” “There must be something,” Virgil said. “I’m sorry, Virgil. You might be right. There might be some higher power, children, but it’s not their white God. However, the more you talk about God and Jesus and heaven and hell, the better they feel.” The children said together, “And the better they feel, the safer we are.”

“People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.”