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Quote by Lana M.H. Wilder

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Candescent

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Lana M.H. Wilder

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“Her hair glowed. It shimmered and shone and pulsed, the full length of it flowing behind Rapunzel and lighting up the undersides of the trees and throwing soft illumination on all the paler leaves and mushrooms, gleaming for a moment where it hit a drop of dew or sap. The moths who had fled returned, like a fluttering train of silken flowers on a long, magical wedding veil, following the mesmerizing river of silver light.”

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Book:What Once Was Mine
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“You're telling me this now?' 'I got sidetracked,' he said, his eyes twinkling. And the light in those eyes, the quiet joy... They knocked the breath from me. A future- we would have a future together. I would have a future. A life. His smile faded into something awed, something... reverent, and I reached out to cup his face in my hands- To find my skin glowing. Faintly, as if some inner light shone beneath my skin, leaking out into the world. Warm and white light, like the sun- like a star. Those wonder-filled eyes met mine, and Rhys ran a finger down my arm. 'Well, at least now I can gloat that I literally make my mate glow with happiness.' I laughed, and the glow flared a little brighter. He leaned in, kissing me softly, and I melted for him, wrapping my arms around his neck.”

FunnyHappinessSarah J MaasFeyreFeyre ArcheronRhysandRhysA Court Of Mist And FuryGlowingChapter 55
Book:A Court of Mist and Fury
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“the sun shines down upon us, the lucky ones...you're the radiant autumn leaves, so bright and vibrant, so vivid and ablaze with warming colors...i am your reflection in the river, only just a bit darker, and hazy opaque, and slightly blurred, more cooled by the waters (but still burning for you)...but we're complimentary mirrors to each other, such beautiful simplicity, two incomplete parts of the perfect whole, we are together one the same...one love in the glowing light”

LoveAutumnSoulmatesTreesGlowingRadiantColorsTwin FlamesLeavesAblaze
Book:Bodhi Smith Impressionist Photography
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“The woods were definitely changing. Aurora and Phillip could no longer see the sky at all because of the ancient tall trees that stretched far overhead. Pines and other shaggy-barked species shot a hundred feet straight up on massive trunks, some of which were as thick around as a small house. The canopies that spread out at their tops blocked out most of the sun; only a rare dappled shaft made it through. But it didn't feel claustrophobic. The absence of light kept the underbrush low: moss on ancient fallen logs, puddles of shade flowers, mushrooms and tiny lilies. It was airy and endless like the largest cathedral ever imagined.”

WoodsForestCanopyAurora And Philip
Book:Once Upon a Dream
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“His home was a part of him, an externalized expression of his will, for upon his inherited Dutch Manor house he had superimposed the Gothic magnificence which he desired. He had been attracted by the formulations of Andrew Downing, the young landscape architect who lived on the river at Newburgh and whose directions for building "romantic and picturesque villas" were changing the countryside; but it was not in Nicholas to accept another's ideas, and when five years ago he had remodeled the old Van Ryn homestead, he had used Downing simply as a guide. To the original ten rooms he had added twenty more, the gables and turrets, and the one high tower. The result, though reminiscent of a German Schloss on the Rhine, crossed with Tudor English and interwoven with pure fantasy, was nevertheless Hudson River American and not unsuited to its setting. The Dragonwyck gardens were as much as an expression of Nicholas' personality as was the mansion, for here, he had subdued Nature to a stylized ornateness. Between the untouched grove of hemlocks to the south and the slope of a rocky hill half a mile to the north he had created along the river an artificial and exotic beauty. To Miranda it was overpowering, and she felt dazed as they mounted marble steps from the landing. She was but vaguely conscious of the rose gardens and their pervasive scent, of small Greek temples set beneath weeping willows, of rock pavilions, violet-bordered fountains, and waterfalls.”

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Book:Dragonwyck
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“And honestly, the thing is... there is something special about those monuments. Despite how we might apply our own individual thoughts and interpretations to them... Even if they wrote books filled with precise explanations about how and why Gaudi did things the way he did... there would still be something pure in his work that will never change. Something no scholar could ever explain. Something those crimes could not erase. Something like... a spirit. Like a dream buried in time. A life.”

ArchitectureArchitectAestheticAestheticsArchitectsArchitect QuotesArchitecturalArchitectural Creation
Book:The Ghost Of Gaudi
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“Hardie Boys- Exterior Millwork Exterior spaces on your property are largely exposed to the elements and that means they have to endure considerable wear and tear. This is why it becomes important to make sure that the structures, features and elements are manufactured by specialists that use high-quality, weather-resistant materials and products. We at Hardie Boys, Inc. are a leading manufacturer of various type of exterior architectural work. Since our inception in 1997, we have moved from strength to strength and created a niche for ourselves in this space. Today, when property owners across the region want any exterior millwork done, the first company they think of is us. Not only do we design, manufacture & install a variety of columns, soffit systems, brackets and louvers and a number of other similar products, but use very unique materials and techniques in making these features. Take a look at how our products differ from standard ones used in these applications: • Longevity- Traditionally, these features are made using materials such as foam, wood, concrete, plaster, brick, aluminum, iron etc. While most of these materials are quite hardy they aren’t always able to withstand the elements well. Wood can rot, while metal can rust and corrode over time; concrete tends to develop cracks when exposed to temperature fluctuations and plaster loses its resilience over time. All our products are made with a unique cellular PVC material which is extremely resilient and lasts for a number of years without any trouble. • Minimal maintenance- When you have exterior structures made of wood, they require specialized treatment and have to be polished or painted with regularity. Metal features have to be sanded and painted regularly as well and concrete needs to be resurfaced when it develops cracks. In comparison, the cellular PVC material we use is low-maintenance and only requires basic cleaning. • Aesthetics- As mentioned earlier, the material we use in exterior millwork is weather-resistant and doesn’t fade or deteriorate as much as traditionally-used materials do. This means the features and installations on your property continue to look attractive and add to the aesthetics and value of your property. • Fast and simple installation-The installation of the features made of cellular PVC is easy and quick. This means the project can be completed within a shorter timeframe and with the least amount of disruption to the daily activities on your property. • Versatility- This material is extremely versatile and can be used in the manufacture of various features and installation. We are also very creative and innovative in our approach and keep adding new products to our existing line of premium products. We are a customer-centric company that focuses on customization; and work very closely with our customers and provide beautifully-designed custom exterior millwork installations that are resilient and durable. While the British West Indies style is what we are more inclined towards, our products complement architectural styles including Dutch West Indies, Florida Vernacular, Coastal, Key West and more. For any more information about our custom designed cellular PVC, exterior millwork, contact Hardie Boys, Inc. on this number- 954-784-8216.”

Architectural
Author:Hardie Boys
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