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Quote by George Orwell

“The industrial towns of the North are ugly because they happen to have been built at a time when modern methods of steel-construction and smoke-abatement were unknown, and when everyone was too busy making money to think about anything else. ...But since the war, industry has tended to shift southward and in doing so has grown almost comely. The typical post-war factory is not a gaunt barrack or an awful chaos of blackness and belching chimneys; it is a glittering white structure of concrete, glass and steel, surrounded by green lawns and beds of tulips. ...As Mr Aldous Huxley has truly remarked, a dark Satanic mill ought to look like a dark Satanic mill and not like the temple of mysterious and splendid gods.”

Book:The Road to Wigan Pier

Work

The Road to Wigan Pier

Published in 1937, the book is a blend of personal reflections and detailed observations of the author's journey through the industrial town of Wigan, shedding light on the hardships faced by the working poor during the interwar period. more

Author

George Orwell

George Orwell, born Eric Arthur Blair, was a British novelist and political critic. Known for his sharp social criticism and profound insights into totalitarianism, Orwell is best remembered for his novels '1984' and 'Animal Farm', which remain influential to this day. more

“Amid the coal-fired fug of industrialism, people began to recognize that the unchecked spread of civilization could be toxic, and the wilderness, by comparison, came to represent cleanliness and health. Quite suddenly, the symbolic polarity of the word wilderness was reversed: it went from being wicked to being holy.”

Civilization Wilderness Nature Quotes Symbolism Industrialism Civilization Vs Nature

Book:On Trails: An Exploration

Source: On Trails: An Exploration

“Ohio hadn’t gone through the same real estate boom as the Sun Belt, but the vultures had circled the carcasses of dying industrial towns––Dayton, Toledo, Mansfield, Youngstown, Akron––peddling home equity loans and refinancing. All the garbage that blew up in people’s faces the same way subprime mortgages had. A fleet of nouveau riche snake oil salesmen scoured the state, moving from minority hoods where widowed, churchgoing black ladies on fixed incomes made for easy marks to the white working-class enclaves and then the first-ring suburbs. The foreclosures began to crop up and then turn into fields of fast-moving weeds, reducing whole neighborhoods to abandoned husks or drug pens. Ameriquest, Countrywide, CitiFinancial––all those devious motherfuckers watching the state’s job losses, plant closings, its struggles, its heartache, and figuring out a way to make a buck on people’s desperation. Every city or town in the state had big gangrenous swaths that looked like New Canaan, the same cancer-patient-looking strip mall geography with brightly lit outposts hawking variations on usurious consumer credit. Those entrepreneurs saw the state breaking down like Bill’s truck, and they moved in, looking to sell the last working parts for scrap.”

Usury Industrialism Loans Economic Depression Home Equity Mortgages Subprime Mortgage Crisis Foreclosures Consumer Credit Surburbs

Book:Ohio

Source: Ohio

“[S]tart at the turn of the last century, in 1901, with the celebration of Detroit’s bicentennial. That was the Detroit that came before--before all the racket that attended the making of the modern world, which happened here first and faster than anywhere else on this planet.”

Change Modern World Detroit Industrial Revolution Industrialism

Author:Jerry Herron

“It was a Sunday evening in London, gloomy, close and stale. Maddening church bells of all degrees of dissonance, sharp and flat, cracked and clear, fast and slow, made the brick and mortar echoes hideous. Melancholy streets in a penitential garb of soot, steeped the souls of the people who were condemned to look at them out of windows, in a dire despondency. In every thoroughfare, up almost every alley, and down almost every turning, some doleful bell was throbbing, jerking, tolling, as if the Plague were in the city and the dead-carts were going round. Everything was bolted and barred that could by possibility furnish relief to an overworked people. No pictures, no unfamiliar animal, no rare plants or flowers, no natural or artificial wonders of the ancient world - all taboo with that enlightened strictness, that the ugly South sea gods in the British Museum might have supposed themselves at home again. Nothing to see but streets, streets, streets. Nothing to breathe but streets, streets, streets. Nothing to change the brooding mind, or raise it up. Nothing for the spent toiler to do, but to compare the monotony of his seventh day with the monotony of his six days, think what a weary life he led, and make the best of it - or the worst, according to the probabilities.”