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Quote by Amy Andrews

“Think you can last eight seconds?” Joss was one hundred percent, absolutely, positively certain that she would not. She was even more certain that she’d break something. Unfortunately, nerves made her mouthy. “Eight seconds, huh? I heard you rodeo guys had a short fuse. We have pills for that now you know?” He laughed and his lips were suddenly close to her ear again. “I can go longer than eight seconds as you well know. But even if that were true, I promise you, doc, it’d be the best eight seconds of your life.” Great. Now all she was going to think about while a piece of machinery spun and bucked beneath her was riding Troy in exactly the same way. Was it possible to have a mechanical-bull-induced orgasm? That would be seriously embarrassing. Certainly more than the good folk of Plainview would have expected from an innocent night out at the Bull Bar. There were children watching for the love of Mike.”

Quote by Amy Andrews

Book:Troy

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Troy

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Amy Andrews

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“She broke off the kiss again on a strangled gasp, staring at him, her chest heaving. “We’re not having sex here tonight.” Even as she said it, she rode his thigh harder. Troy’s eyes almost rolled back in his head at her barely leashed restraint, at the buck of hips that didn’t seem to buy the message her mouth was selling. “Okay,” he agreed. If she chose to dry hump him all the way to orgasm beneath a billion stars he’d be in that.”

“I can’t have sex with you, Troy.” “Yeah. You’ve mentioned it once or twice.” She groaned again. “It’s just that…you’re so damn tempting.” He grinned. At her conflict and the absurdity of it. As if they were teenagers who’d sworn a virginity pledge and had the purity rings to prove it. He rolled up on his side, supporting his head with his palm. “I’m sorry. For being so tempting.” She snorted. “No you’re not.” Troy laughed. “You’re right. I’m not.”

“I meant what I said about sex.” His hand slid all the way up her leg, pushing what little skirt was still covering her out of the way, holding it in a bunch at her belly button. Her nudity was fully exposed to his gaze and he looked his fill, breathing out hard. “Who said anything about sex?” He leaned in, his mouth dropping to the pale slice of skin between where his hand held her skirt and the thatch of hair between her legs. She wasn’t trimmed as was the fashion among the women he usually took to his bed but Troy was not a fussy guy and here, under the stars, his head filling with the musky scent of her arousal, au naturel seemed fitting. The ragged pant of her breathing stuttered into the air as he lazily stroked his tongue down. Down. Down. Down. She roused. Shifted. Raised herself up on her elbows, her abs tightening, her thighs tensing. “I think you’ll find that still counts,” she said, obviously throwing one last-ditch effort into denying herself the pleasure she so clearly craved. He chuckled low, his warm breath fanning her belly, satisfied to feel gooseflesh stippling the soft skin. “If you think this is sex, you need to read some more textbooks, doc.”

“Seriously. I’ll wager you aren’t ten years older than me.” “I bet I am.” “So what? So when I’m eighty, you’ll be ninety. It’s just a number.” I relaxed on a pile of pillows on my end of the boat. Eyes closed, I enjoyed the sunshine’s warmth on my face with the intermittent quack of ducks floating on the cool breeze. “I’m just saying, I’m not sure your eighty-year-old self will enjoy being chased by a gaggle of ninety-year-old women at the old folks’ home.” “And I’m just saying if you were there, I’d let you catch me.”

“Henry's recollections of the past, in contrast to Proust, are done while in movement. He may remember his first wife while making love to a whore, or he may remember his very first love while walking the streets, traveling to see a friend; and life does not stop while he remembers. Analysis in movement. No static vivisection. Henry's daily and continuous flow of life, his sexual activity, his talks with everyone, his cafe life, his conversations with people in the street, which I once considered an interruption to writing, I now believe to be a quality which distinguishes him from other writers. He never writes in cold blood: he is always writing in white heat. It is what I do with the journal, carrying it everywhere, writing on cafe tables while waiting for a friend, on the train, on the bus, in waiting rooms at the station, while my hair is washed, at the Sorbonne when the lectures get tedious, on journeys, trips, almost while people are talking. It is while cooking, gardening, walking, or love-making that I remember my childhood, and not while reading Freud's 'Preface to a Little Girl's Journal.”

“I’m probably getting too familiar with him, but there’s something about him that makes me feel like I would tell him anything. He asks these incredibly direct questions, things that some of my closest friends have never even thought to ask, and I’m inexplicably compelled to share all these deeply personal thoughts. He’s like human Xanax or something.”