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Quote by Monika Ajay Kaul

“The youthful exuberance of children stems from their blissful ignorance of the dossier labelled 'All the Potential Pitfalls.”

Quote by Monika Ajay Kaul

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Monika Ajay Kaul

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“But I loved Joe, perhaps for no better reason in those early days than be- cause the dear fellow let me love him, and, as to him, my inner self was not so easily composed. It was much upon my mind (particularly when I first saw him looking about for his file) that I ought to tell Joe the whole truth. Yet I did not, and for the reason that I mistrusted that if I did, he would think me worse than I was. The fear of losing Joe's confidence, and of thenceforth sitting in the chimney corner at night staring drearily at my forever lost companion and friend, tied up my tongue. I morbidly represented to myself that if Joe knew it, I never afterwards could see him at the fireside feeling his fair whisker, without thinking that he was meditating on it. That, if Joe knew it, I never af- terwards could see him glance, however casually, at yesterday's meat or pudding when it came on to-day's table, without thinking that he was debating whether I had been in the pantry. That, if Joe knew it, and at any subsequent period of our joint domestic life remarked that his beer was flat or thick, the conviction that he suspected tar in it, would bring a rush of blood to my face. In a word, I was too cowardly to do what I knew to be right, as I had been too cowardly to avoid doing what I knew to be wrong.”

“The child wonders at the Christmas Tree: Let him continue in the spirit of wonder At the Feast as an event not accepted as a pretext; [...] So that before the end, the eightieth Christmas (By “eightieth” meaning whichever is last) The accumulated memories of annual emotion May be concentrated into a great joy Which shall be also a great fear, as on the occasion When fear came upon every soul: Because the beginning shall remind us of the end And the first coming of the second coming.”

“This book is written for all those who loved Charlie and the Chocolate Factory when they were young, and those who love it now. It's for anyone who wants to know a bit more about how it came to be, how it managed to permeate readers' worlds and the world at large, and how it has endured so happily for fifty years - and counting.”

“What in heaven’s name do you mean?’ “=Not the name of heaven. Just the place you come from.= “‘You don’t know anything about the place I come from.’ “=It is true I don’t know the place. But I know a great deal about the place now, after learning to know you. I know what kind of stories—not the stories themselves, mind you, but the kind of stories—they tell their children. I know what the children are led to expect from the world. Fair treatment. A happy life. Even that question you ask comes out of the mountains.= “‘Is there anything wrong with that? You make it look stupid.’ “=There is nothing wrong, and there is something wrong. There is nothing wrong with making a place where children can be safe. I can hardly imagine it myself, but it sits on the edge of my vision like a small sun. It’s a blinding glimpse of something. Safety. So very odd. And I suppose there’s nothing wrong with a modicum of safety, though I think my way one at least learns how to react quickly. But there is something wrong in the kind of complacency…= his sign is complicated: a cat after cream, a fat despot =…which lets you think you have a right to a happy life just because you can think of the idea.= “‘I don’t agree with you. Everyone should be able to be complacent in that way!’ As she speaks she illustrates the way by repeating the cat-with-cream sign. ‘But that other, that arrogance, I don’t think we are arrogant, in the mountains, like that—do you?’ “=Arrogant? I don’t know. Arrogant? A curious word. The arrogance of privilege. You had safety. That’s a privilege.=”