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Quote by Garth Risk Hallberg

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City on Fire

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Garth Risk Hallberg

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“Some young man has wronged you, hasn't he?' From a person who renounced on principle the possibility of transcendental morality, she thought, it was an interesting choice of words. 'None of them's stuck around long enough to wrong me, Bruno.' He waved a hand dismissively. 'Romance is a fiction anyway. A myth to sell greeting cards.' Still, he seemed ready, given a name and address, to go challenge the malefactor, like some feudal-era father defending his daughter's chastity. This was all in the eyes, of course. The rest of the face stayed perfectly composed.”

“The cushions of my friend's couch were some kind of rubberized velour, the windows were uncurtained, and at five a.m. the birds were all atwitter and the light, the L.A. light everyone goes on and on about, was right in my East Coast eyes. Give me New York any day, I thought. But when New York came, it was with fangs and claws, in a nightmare I now woke from screaming.”

“Through all the sorrow of the Sorrow Songs there breathes a hope—a faith in the ultimate justice of things. The minor cadences of despair change often to triumph and calm confidence. Sometimes it is faith in life, sometimes a faith in death, sometimes assurance of boundless justice in some fair world beyond. But whichever it is, the meaning is always clear: that sometime, somewhere, men will judge men by their souls and not by their skins. Is such a hope justified? Do the Sorrow Songs sing true?”