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Quote by Richard Bach

“Μόλις τον είχαν εξορίσει και ήταν έτοιμος να πολεμήσει το Σμήνος μέχρι θανάτου, αρχίζοντας από το χτίσιμο της προσωπικής του πικρής κόλασης.”

Quote by Richard Bach

Work

JONATHAN LIVINGSTON SEAGULL

The narrative follows Jonathan Livingston Seagull, a bird who becomes disillusioned with the daily struggle for food and the conformity of his flock. He dedicates himself to perfecting the art of flying, pushing the limits of speed and agility. His passion leads to exile, but he continues his journey of learning and teaching, encountering other outcasts and a higher plane of existence. The story is a metaphorical exploration of personal growth, the pursuit of excellence, and the transcendence of conventional limitations. more

Author

Richard Bach
Richard Bach

Richard Bach is an American writer known for his profound philosophical thoughts and allegorical stories. His work 'Illusions: The Adventures of a Reluctant Messiah' has become a beloved classic, inspiring many to seek self-realization and the meaning of life. more

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“Every human creature is a terror to every other human creature. Human minds are like unknown planets, encountering and colliding. Every one of them contains jagged precipices, splintered rock-peaks, ghastly crevasses, smouldering volcanoes, scorched and scorching deserts, blistering sands, evil dungeons from behind whose barred windows mad and terrible faces peer out. Every pair of human eyes is a custom-house gate into a completely foreign port; a port whose palaces and slums, whose insane asylums and hospitals, whose market-places and sacred shrines represent the terrifying and the menacing as well as the promising and the pleasure-giving! But when once any small group of persons has been together for any reasonable length of time the official warders of these custom-house gates are withdrawn. Each individual in such a group feels he can wander freely through the purlieus of these other enclosed fortresses! He does not necessarily move a step. The point is that the gates into the unknown streets no longer bristle with bayonets, are no longer thronged with “dreadful faces” and “fiery arms.”