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Quote by Kurt Vonnegut

“The troops and their ladies had first drunk champagne. There were also remains of sandwiches, and I stepped on one, which I think was either cucumber or watercress. I scraped it off on the curbing, left it there for germs. I'll tell you this, though: No germ is going to leave the Solar System eating sissy stuff like that. Plutonium! Now there's the stuff to put hair on a microbe's chest.”

Quote by Kurt Vonnegut

Book:Hocus Pocus
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Work

Hocus Pocus

This title is commonly associated with magical performances and theatrical tradition. The term Hocus Pocus has long been used in magic shows and theatrical presentations, serving as a familiar exclamation associated with conjuring tricks and magical illusions. The phrase has become deeply embedded in popular culture as a representation of magical art and performance. more

Author

Kurt Vonnegut
Kurt Vonnegut

Kurt Vonnegut was an American writer known for his unique humor and profound satire. His works often explore themes of war, humanity, society, and politics. His most famous works include 'Slaughterhouse-Five' and 'Cat's Cradle'. His writing style has been widely appreciated by readers and has had a profound impact on literature. more

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“Beauty is the only human aspect which cannot be captured on any canvas howsoever hard an artist tries. At the most, the undaunted artist can replicate the beauty on paper but what is a replica in comparison to the original! The humbling resemblance can only be respected, not truly adored. Beauty cannot be imprisoned in the lens of a camera. The images of beauty are a moment of its essence. Beauty cannot be displayed to evoke pleasure for all on a cinema screen. Those are just its imprints, mere illusions of its existence. Beauty cannot be described by words; it cannot be written or read about. There are no suitable words in all the languages of the world, ancient or modern to hold it between a paper and a pen or a script and an eye. Beauty can only be experienced from far, its delightful aroma can only be tasted through one’s eyes and its pleasurable sight can only be felt from the soul. Beauty can only be best described at its origin through a befuddling silence, the kind that leaves one almost on the verge of a pleasurable death, just because one chooses beauty over life. There is nothing in this world to hold something so pure, so divine except a loving heart. And it is the only manner through which love recognises love; the language of love has no alphabet, no words.”

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“Pain, of course, is intimately linked with fear. “Fear isolates,” writes Rivera Garza. “Fear teaches us to distrust. Fear makes us crazy.” If we follow the arc of her argument, we see that pain has the power to destroy and to produce its own reality, a reality in turn legitimized and given further meaning through the politics and policies that shape our society. This reality is quite often a reality of fear, a reality that makes us—individually and as a society—crazy, isolated, filled with distrust for our fellow human beings, the people who share our neighborhoods, our cities, our country, our borders, our intractably and intimately interwoven global community—the people with whom we share our very lives.”

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