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Quote by Kristen Callihan

“You know, it's never wise to tempt the devil" His gaze lowered to her hand, still locked in his grip, her finger glistening with pear juice. His rich voice lowered to raw huskiness "had I not this mask, I should be of a mind to suck that juice right off your fingers”

Quote by Kristen Callihan

Book:Firelight
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Firelight

In this immersive fantasy, the protagonist embarks on a perilous journey through a world illuminated by mysterious flames. The story delves into the origins of the firelight and its impact on the destiny of the characters. more

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Kristen Callihan

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“Eat up, sweet one. And if you ask, I am sure Thrasius will make a pear patina tonight." Apicius's voice always held a special warmth when he addressed his daughter. "Please, Thrasius! I love it when you make the pears pretty!" I laughed at her description of the fruit, honey, and egg dish. I always added an extra layer of pears on top, and I had to admit, they did look pretty once they were cooked and shining with oil. "I would be pleased to make that for you, little Domina." Spontaneously, Apicata ran around the table and gave me a big hug.”

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Book:Feast of Sorrow
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“I fiori di pero sconsolatamente sciupati dalla pioggia ispirano una sensazione di pietà, i fiori di aronia illuminati freddamente dalla luna suscitano un’impressione di tenerezza. Del tutto differente è la vista delle ombrose camelie. Hanno un aspetto tenebroso, velenoso, terrificante. Proprio perché superficialmente sono abbigliate con tinte sgargianti. Inoltre non sembrano voler civettare con gli uomini né attirarli. Vivono quietamente nell’ombra dei monti, lontane dagli sguardi umani, per centinaia d’anni, e all’improvviso sbocciano e cadono, cadono e sbocciano. Basta uno sguardo per essere perduti. Chi posa i suoi occhi su di loro non potrà più sfuggire alla magia. Quella tinta non è un semplice rosso. È uno strano rosso, come il sangue di un prigioniero giustiziato, che spontaneamente attrae gli sguardi degli astanti e sgomenta i loro cuori. Mentre le contemplo, una rossa corolla cade sull’acqua. Nella tranquilla primavera solo lei si muove. Poco dopo ne cade un’altra. Quel fiore non perde mai i suoi petali. Più che spampanarsi, scivola dal gambo ancora intero. E, di colpo, apparentemente senza rimpianti; vederlo intero anche sul suolo incute una sinistra impressione6. Cade un altro fiore: se continuano a cadere così, penso, l’acqua dello stagno diventerà rossa. Mi sembra che intorno ai fiori che galleggiano serenamente ci sia un alone vermiglio. Ne cade un altro. Rimane così quietamente sospeso che quasi non si capisce se sia caduto sul terreno o sull’acqua.”

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Book:Kusamakura
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“Flights are expansive moments when the phone doesn't ring and the Internet doesn't work. The maxim that flying time is wasted time liberates me from my anxieties and guilt feelings, and it strips me of all ambitions, leaving room for a different sort of existence. A happy, idiotic existence, the kind that doesn't try to make the most of time but is satisfied with merely finding the most enjoyable way to spend it.”

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Book:The Seven Good Years
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“The next day, she flew back to Moscow. If anyone loved long-distance flights, it was Nora. She loved it when you found yourself nowhere at all—in a sort of abstract space and an indeterminate, vacillating time, when, all of a sudden, all obligations, all promises cease. Everything is put on hold—telephone calls, the mail, requests, offers, complaints—they all stop short, and you hover, you fly, you soar between heaven and earth, between earth and the moon, between the earth and the sun. You fall out of your ordinary system of coordinates. You fly … as Tengiz, my soulmate, had; the only one I knew who had burst through all the boundaries of this world alive, and had learned to inhabit another world—the world of shadows … Tengiz … Love beyond touch, love outside of time.”

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Book:Лестница Якова
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