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Quote by Rasheed Ogunlaru

“If you are going to judge others it is wisest to do so individually not collectively and on your own direct experience of them personally. But first - and throughout - examine yourself closely. Blurred vision can often occur due to the lens, perspective and perceptions of the viewer projected onto the object that it sees. Be wary of taking to the judges seat. Above all meet at treat yourself and everyone else mindfully, compassionately with humanity.”

Quote by Rasheed Ogunlaru

Author

Rasheed Ogunlaru
Rasheed Ogunlaru

Rasheed Ogunlaru is a British author born on June 15, 1970. His work spans various domains including personal development, leadership, and corporate strategy. Ogunlaru is known for his unique perspective and profound insights, inspiring countless readers and audiences with his books and speeches. more

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“For instance, the scientific article may say, 'The radioactive phosphorus content of the cerebrum of the rat decreases to one- half in a period of two weeks.' Now what does that mean? It means that phosphorus that is in the brain of a rat—and also in mine, and yours—is not the same phosphorus as it was two weeks ago. It means the atoms that are in the brain are being replaced: the ones that were there before have gone away. So what is this mind of ours: what are these atoms with consciousness? Last week's potatoes! They now can remember what was going on in my mind a year ago—a mind which has long ago been replaced. To note that the thing I call my individuality is only a pattern or dance, that is what it means when one discovers how long it takes for the atoms of the brain to be replaced by other atoms. The atoms come into my brain, dance a dance, and then go out—there are always new atoms, but always doing the same dance, remembering what the dance was yesterday.”

“The impression given us by a person or a work (or an interpretation of a work) of marked individuality is peculiar to that person or work. We have brought with us the ideas of “beauty,” “breadth of style,” “pathos” and so forth which we might at a pinch have the illusion of recognising in the banality of a conventional face or talent, but our critical spirit has before it the insistent challenge of a form of which it possesses no intellectual equivalent, in which it must disengage the unknown element. It hears a sharp sound, an oddly interrogative inflexion. It asks itself: “Is that good? Is what I am feeling now admiration? Is that what is meant by richness of colouring, nobility, strength?” And what answers it again is a sharp voice, a curiously questioning tone, the despotic impression, wholly material, caused by a person whom one does not know, in which no scope is left for “breadth of interpretation.” And for this reason it is the really beautiful works that, if we listen to them with sincerity, must disappoint us most keenly, because in the storehouse of our ideas there is none that responds to an individual impression.”