“That mythical being, the most beautiful woman in the world, now has light skin chemically darkened with dihydroxyacetone, the chemical used in artificial tanner. (It is important that she begins as light before the darkening – she cannot simply be dark.) She has had her nose broken and reconstructed to be straight and small, and her lips injected with synthetic hyaluronic acid, whilst fat has been beaten out of her body and redistributed to her hips, bum and breasts to create a more exaggerated curve, not dissimilar to that of Sarah Baartman. Everywhere else she is athletic and lean – her stomach is flat and tight. She cannot simply be curvaceous or lean, she must be both and neither. She must be constructed. All of the hair on her body has been removed with a laser whilst her teeth have been filed down into fangs and replaced with porcelain, electric white. She wears the hair of an Asian woman sewn close to her scalp, and her eyes have been stapled up at the outer corner. Where is she from, people ask. Where does the most beautiful woman in the world call home? She laughs coyly, flashing her dazzling smile, but says nothing. She says nothing when women are murdered by their governments for showing their long, luscious hair. Or when dark-skinned women, the ones with no use for the chemical dye, are killed in their homes by those meant to protect them. She does not discuss the teeth knocked out of women’s skulls by their partners or the little girls sexualised for the same features she parades, created from artifice. She is quiet when girls are bullied for their body hair, for their belly rolls and their burdensome bodies. She does not comment on the women of colour calling out for somewhere to belong, a space that’s truly theirs. She claims nowhere whilst taking everywhere, and she says nothing. She has no politics, no culture, no real stance on anything. She consumes but she does not contend (unless it can be made into content). Why should she? She’s the most beautiful woman in the world.”
Quote by Ellen Atlanta
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Pixel Flesh: How Toxic Beauty Culture Harms Women
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