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Quote by Thomm Quackenbush

“Dawn through the window woke me. I placed an extra pillow over my face to block it. When Amber woke, she panicked that the ghost children were smothering me. She was not going to stop the ghost children, but she was going to observe and record. Even at the expense of my life, she figured I would rather have been a part of the paranormal, particularly if it made for an entertaining story at her murder trial.”

Quote by Thomm Quackenbush

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Holidays with Bigfoot

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Thomm Quackenbush

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“The automatic carriage-return on the typewriter, electronic central locking of cars: these are the things that count. The rest is just theory and literature. Space is what prevents everything from being in the same place. Language is what prevents everything from meaning the same thing. My hand, separated from me, dreams it is holding a breast. Nothing fills a hand better than a breast. Stereotype of a sadistic tenderness. This journal develops, as its title indicates, over the course of time. However it is haunted by something which preceded it, the secret underlying event.”

“There is an essay on the language of the dying. The dying sometimes speak of themselves in the third person. I was not speaking that way. I said: I am bleeding. I am going to bleed to death. And I will be lucky if I die before he returns. Give me my Scallop shell of quiet. You know, they did not print the whole of the Indian song in the subway. Only a few lines. But I know the poem. 'It's off in the distance. It came into the room. It's here in the circle.' I know the poem. She knows the poem.”

“I can hear the darkness. It is like a breeze on a frigid winter's night that rattles the leafless branches. It is like the cold that travels through your open mouth and down your throat, a frozen kiss stealing your breath. It is like a blizzard that swallows you in its swiftness, blinding behind and before, and side to side. Darkness is winter. It is the end. It is death.”

“You think your life is unfurling in a certain way, and you let yourself grow happy about it, a smile rising at the slightest thing. A boy in short pants eating a pastelito makes you grin like a lunatic at the vision of your own hoped‐for children, their dark shiny heads rising, year by year, from the Cuban earth, your wife towering behind them, kind and wise. Then you find yourself in a midnight cemetery guarding your mustache from the covetous ghost of an American woman you once loved. Who wouldn’t laugh?”