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Quote by Hilary McKay

“He's an artist in London. We don't see him much." Tom gave him one of his quick, considering glances and asked, "Doesn't he live with you?" "No," said Indigo, finally saying out loud what he had known now for a long, long time. "Not really. Not anymore.”

Quote by Hilary McKay

Author

Hilary McKay
Hilary McKay

Hilary McKay is a renowned British children's writer, born on June 12, 1959. Her works are known for their delicate emotional portrayal and rich imagination, primarily focusing on children's literature. more

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“Did you bite someone?' Jack enquired. 'I laughed at people, which is much worse. My laughter has sharper teeth than any dog. It tears people apart who wish to be taken seriously, but I could not help myself. There were many complaints and finally a man in a brown suit came and looked at me. He was very important and not used to being laughed at, but I could see he had dandruff on his collar, and there was a spot of his breakfast egg on his lapel. You should have seen him - so puffed up and proud of himself. I couldn't help but laugh and that made people see him as I did, and so they laughed too. All of a sudden everyone realised that for all his status in official matters, he was a man who lived alone and was loveless.”

“Another of them died last night. His body was in the bazaar this morning. It lay, with a collecting bowl at its feet, on the charpoy that is reserved for those who die without money or family to bury them. He looked desiccated and his skin had the sheen and color of the dates we eat to break our fast. There are new bodies on that charpoy every week.”

“And the next day the gondolier came with a train of other gondoliers, all decked in their holiday garb, and on his gondola sat Angela, happy, and blushing at her happiness. Then he and she entered the house in which I dwelt, and came into my room (and it was strange indeed, after so many years of inversion, to see her with her head above her feet!), and then she wished me happiness and a speedy restoration to good health (which could never be); and I in broken words and with tears in my eyes, gave her the little silver crucifix that had stood by my bed or my table for so many years. And Angela took it reverently, and crossed herself, and kissed it, and so departed with her delighted husband. And as I heard the song of the gondoliers as they went their way--the song dying away in the distance as the shadows of the sundown closed around me--I felt that they were singing the requiem of the only love that had ever entered my heart.”

“На этот раз, глядя на картины, он заметил, что они разделены лабиринтом узких полос однотонных серовато-зеленых обоев. Лабиринт был весьма прихотлив по рисунку. "Может быть, это и есть мое пространство? -подумал Демилле. -- Узкие однотонные проходы между чужими жизнями".”

“The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time.”