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Quote by Shahid Hussain Raja

“When someone exits your life, you don't die instantly; instead, you begin to perish in pieces. You no longer catch the scent they wore, and a part of you fades away. You miss witnessing them change their clothes, another fragment of yourself diminishes, and you yearn for the familiar whispers in those intimate moments, yet all that fills the silence are echoes of your dreams, and so it continues. Until eventually, you feel nothing, see nothing—just an overwhelming emptiness and a deafening silence”

Quote by Shahid Hussain Raja

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Shahid Hussain Raja

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“He was awake; it seemed like a long time, all dressed, sitting deep in the armchair, small with a grey face. I stopped ast the room entrance in silence, swallowed my words, and thought that maybe he didn’t even go to sleep that night. His facial colour reminded me of a teacher, dying from cancer. ‘Grandpa, what’s wrong? What’s wrong with you? Mother is coming home, did you hear?’ I came closer and touched his hand. It was colder than usual, and the frost went down my back. ‘Do you hear me? What’s wrong with you?’ I asked, and he was silent. Suddenly, I understood everything.” (-- Angelika Regossi, “Love in Communism. A Young Woman’s Adult Story”. Chapter 5: University of Life) “‘Let me tell you this way. In the academy, we were told to marry early, before we go on the first shift. My first shift starts in a few months in July. I shall be half a year under the water in the submarine, carrying nuclear weapons. They advise us to marry and to make children as soon as possible because who knows what will be on that shift. Also, I told you about the radiation. I know submariners’ who cannot make children because of the radiation on the ship,’ said Prohor. ‘How to explain to you, my girl? To make children, a man needs an erection but the radiation kills it. I am afraid until I reach the rank of admiral, I shall be impotent … unable to make children …,’ Prohor told sadly from his bed.” (-- Angelika Regossi, “Love in Communism. A Young Woman’s Adult Story”. Chapter 6: Fiance from Submarine) “So, it happened there; between the two biggest islands of two big enemies, Japan and the USSR. ‘Now I recall that Prohor praised that they can attack unexpectedly from a submarine, from under the water, with nuclear rockets.’ I was astonished that I knew all these things, which earlier had never interested me.” (-- Angelika Regossi, “Love in Communism. A Young Woman’s Adult Story”. Chapter 7: Between Two Men) “‘Do you remember what I told you before I died? You promised me to think big! My little star, if you think big, you will become big! Use my diamonds and the wall clock to become big! Dream big, Anfisa—and you will be more than just a wife to a man. ‘But remember, you have to take diamonds and the clock outside the USSR, where they value these things.’ I heard my grandfather’s voice live, close, but I didn’t see him.” (-- Angelika Regossi, “Love in Communism. A Young Woman’s Adult Story”. Chapter 8: Earner Marriage No. 1)”

SadnessSurvivalExecutionShockingUssrDiamondsPaedophilesSoviet LifeSoviet PrisonSoviet Submarines
Author:Angelika Regossi
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“The industrial ghost towns, the late spring rain, the wide, low skies. The old sadness rising. An excess of black bile, they used to say, made the melancholic personality. Freud said that mourning and melancholia are akin in that they are both responses to loss. Mourning is a conscious and healthy response to the loss of a love object. Melancholia is more complicated. It operates on a subconscious level. All the feelings of loss are present, but for what? The melancholic cannot say. This, Freud says, is a pathology.”

LoveLossGriefSadnessMourningMelancholyFamily LifeFreud
Book:In Ordinary Time: Fragments of a Family History
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