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Quote by Wajahat Ali

“I compared Obama to an Etch A Sketch. You could impose upon him whatever you wanted. He was your American dream. That was the beauty of the hope and change message emblazoned on his face. He was the promise of what America could be and become for everyone if the nation overcame its racism and cruelty. A scrawny kid born to a Muslim Kenyan father and a white mother, who grew up in Indonesia, ate biryani with his Pakistani roommate in college, and graduated from Harvard Law School, ended up being one of the most beloved politicians in the modern era and the most powerful man in the world. Maybe a Pakistani kid could become president? If America voted for Obama twice, then why not our kids? That was the power of Obama. He allowed the nation to imagine "What If?”

Quote by Wajahat Ali

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Wajahat Ali

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“The feelings or imaginings which tend to prevent the mind from entering into the heart and so attaining to pure prayer, or prayer of the heart, are either those which are the result of sin, or an attraction towards sin, or those which make us think we are being drawn towards good actions or a real meeting with God himself, but which in fact do not lead to God. That is why the Fathers warn monks even against images that seem to be good. They exhort them not to rely on any kind of imagination or impression. Moreover the Fathers consider thought, even theological thought, to be a no less dangerous obstacle to the mind's entry into the heart. They must be watchful not to rest in theological thinking, or to slip into it, when they are moved to prayer or while they are praying. Thinking about God interrupts direct encounter with him. By theological thinking a man becomes shut in on himself.”

“That was the power of radio at its height. The Shadow, we were assured at the beginning of each episode, had "The power to cloud men's minds." It strikes me that, when it comes to fiction in the media, it is television and movies which so often cloud that part of our minds where the imagination moves most fruitfully; they do so by imposing the dictatorship of the visual set.”