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Quote by Arthur Schopenhauer

“We must not even evade it, as the Indians do, by myths and meaningless words, such as reabsorption in Brahman, or the Nirvana of the Buddhists. On the contrary, we freely acknowledge that what remains after the complete abolition of the will is, for all who are still full of the will, assuredly nothing. But also conversely, to those in whom the will has turned and denied itself, this very real world with all its suns and galaxies, is—nothing”

Quote by Arthur Schopenhauer

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Arthur Schopenhauer
Arthur Schopenhauer

Arthur Schopenhauer was a prominent German philosopher born on February 22, 1788, and died on September 21, 1860. He is one of the most important figures in 19th-century German philosophy and is known for his unique pessimistic philosophical ideas. more

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“Added to all this is the universal dread of reality. We "pale-faces" have it, all of us, although we are seldom, and most of us never, conscious of it. It is the spiritual weakness of the "Late" man of the higher civilizations, who lives in his cities cut off from the peasant and the soil and thereby from the natural experiencing of destiny, time, and death. He has become too wide awake, too accustomed to ponder perpetually over yesterday and tomorrow, and cannot bear that which he sees and is forced to see: the relentless course of things, senseless chance, and real history striding pitilessly through the centuries into which the individual with his tiny scrap of private life is irrevocably born at the appointed place. That is what he longs to forget, refute, or contest. He takes flight from history into solitude, into imaginary far-away systems, into some faith or another, or into suicide. Like a grotesque ostrich he buries his head in hopes, ideals, and cowardly optimism: it is so, but it ought not to be, therefore it is otherwise. We sing in the woods at night because we are afraid.”

“First of all, Buddhism is neither pessimistic nor optimistic. If anything at all, it is realistic, for it takes a realistic view of life and the world. It looks at things objectively (yathābhūtam). It does not falsely lull you into living in a fool's paradise, nor does it frighten and agonize you with all kinds of imaginary fears and sins. It tells you exactly and objectively what you are and what the world around you is, and shows you the way to perfect freedom, peace, tranquility and happiness.”

“I consider this is really the heart of England,’ said Clifford to Connie, as he sat there in the dim February sunshine. ‘Do you?’ she said, seating herself in her blue knitted dress, on a stump by the path. ‘I do! this is the old England, the heart of it; and I intend to keep it intact.’ ‘Oh yes!’ said Connie. But, as she said it she heard the eleven-o’clock hooters at Stacks Gate colliery. Clifford was too used to the sound to notice.”

“Kashmir...' She laughed a little in disbelief. That's... what love looks like. 'But is it only a trick?' I ask pleading. ' And if so, what is truly mine?' ' I am. ' Her words took me by surprise. She said it so simply- so simply - so quiet, so true. Only two words, three letters, one breath, but never had a promise held more meaning. She turned to me then, and in her eyes, I saw not oblivion, but infinity, and the stars were not as bright as her smile. 'Nix.' I said. And her name was a poem. She tilted her face up to the dawn; my lips met hers. She pressed close to me, and then there was no past, no future- only now. No her. No me. Only us.”

“What would his fear smell like if he learned she'd used him, slept with him, to keep herself at bay? To settle that writhing darkness that had simmered inside her from the moment she'd emerged from the Cauldron? Sex, music, and drink, she'd learned this past year- all of it helped. Not entirely, but it kept the power from boiling over. Even if she could still feel it streaming through her blood, coiled tight around her bones.”

“Filter for a Frail Horizon: I lose a breath while I'm thinking, Misplace a second as it passes out of time. A splice of memories now missing, I think a moment passed where I forgot to die. And so this day is becoming... High in tide that will take me home, Conceals a current running straight through hell. It caught me drifting from the world I know, A broken crest on a rising swell. And surely hope is resigning...; I think I'm waking from another dream, I won't remember how I made it out alive. The focus centres on uncertainty, The null and voids have become a way of life. And so my self is descending...”

“That [the moment before suicide is] what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you're a fraud, of course what people see is never you. And of course you know this, and of course you try and manage what part they see if you know it's only a part. Who wouldn't? It's called free will, Sherlock. But at the same time it's why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali-- it's not English anymore, it's not getting squeezed through any hole. So cry all you want, I won't tell anybody. But it wouldn't have made you a fraud to change your mind. It would be sad to do it because you think you somehow have to.”