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Quote by Karl Kristian Flores

“He thrust his pelvis against his mattress, humping his pillow and thinking of no particular woman or memory, but merely the idea of being touched by someone—anyone. It was a sort of sorrowful pornography, masturbating to the day he would never need to masturbate. He closed his eyes and released on his sheets two fluids of desperation: semen of a lonely man and tears of a lonelier one.”

Quote by Karl Kristian Flores

Book:The Goodbye Song
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The Goodbye Song

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Karl Kristian Flores

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“The best lover you could ever have will sit on this very bench 270 years from now. You two will never meet. And will never know you’ll never meet. They are, however, currently sitting with you because if you two did meet, you’d spend your time sitting as you are now. Because returning to that bench every afternoon, happily single, was like spending a day with every soul who wants to sit there too.”

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“He spent decades researching his imagination. During this, he gave up the creation of children, the thrill of romance, and even religion for what he believed to be the most important story he could write. When you read his pages, and knew what was sacrificed, each chapter provided you an obscure timeline of a life he never got to live. The publishers will lie and say it costs twelve dollars plus tax.”

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“The shit thing about beauty is only another can redeem it. You can love yourself, but because beauty is in the eye of the beholder, those without beholders aren’t beautiful. They cannot trick themselves into thinking they are. Someone has to say it. Someone has to say, “You are beautiful.” One’s beauty is like the classic fallen tree; “If no one was near the tree when it fell, did it really fall?” If people called you a beautiful baby and now you’ve grown, are you still beautiful?”

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“A post-movie dance: [You walk out of the theatre. You stretch. You toss your popcorn in the trash bin and wonder if it’s recycling. You pretend to be a slow walker on your way to the exit so you don’t appear too close to the stranger in front of you. You walk to the bathroom. You wait in line. You piss. You hold your fart. You come out. You walk to the parking garage. You walk back to the theatre because you forgot to validate your ticket. You come back to your car. You leave the garage. You get a phone call from mom and talk to her. Then you turn on the radio in traffic. Then you come home and respond to e-mails and go back to sleep. And soon, a movie has died.]”

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“It is to change a life. That’s why you do it. An enormous urge for change is the only reason to suffer. They can call your mission cliché, but someone needs to be hideous, otherwise we’ll all believe we’re perfect. It’s important that your work is important. There’s not enough time for anything less. Not that your life span is short, but the world’s life span is short. It is being destroyed every day. Sprint your nervous legs towards the finish line of language! And we’re not so good at capturing ourselves, but thank God, because if humans were fluent in human, new art would cease.”

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“There will always be more exciting things. Casinos will blink with avenues of exhilaration and offers to be devilish. The shelf of alcohol behind the bar looks like it may have a good read for you. A Chinese restaurant will buzz with customers and ticket orders. A booming concert may scream it has an extra spot, with strobe lights to hide your human. Partying people do not look like people who weep. You’ll think literature has no relevance to them. But eventually, the light will die down and the world will need to return home again. The fire will give out and the coals will glow and when the rising smoke clouds our vision, we will look for what we need: hearth. And there, the ignored is seen again. Asked for. There are exciting days, but the moment our flames die and we shiver honestly in our freezing universe, we will return to our homes, coming to what we need to, like mothers, like old love poems, like stringed instruments, like heroes.”

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“He clutched the handle of the knife with the same strength the gang members used to kick him. He was worthless, like a crumpled bit of trash thrown, but not worth picking up, that doesn’t even deserve a courteous foot nudge to hide. He was unseen, like the skin beneath the toga of a female statue made of stone. He was ugly, like the damaged face of the deformed stranger you try not to look at because you don’t want it in your memory. He was as soft as the pull-tab of a soda can, as easily broken as a straw wrapper, and as close to death as a baby slug crawling next to a group of kids at summer camp.”

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