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Quote by Deeksha Arora

“Die with memories in the form of pictures because in the end we are going to forget most of the things”

Quote by Deeksha Arora

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Deeksha Arora

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“But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have?”

“Tina Modotti and EdwardWeston opened an upscale portrait studio and became involved in the avant-garde community of San Angel, a fashionable southern suburb in Mexico City, which was at one time a weekend retreat for Spanish nobility. It wasn’t until about sixty years ago that this still-quaint district became an integral part of Mexico City. Tina, as usual, modeled and romped in the nude, this time for Diego Rivera, an internationally acclaimed artist. In 1926, Diego’s wife Lupe Marín, accused him of having an affair with Tina and insisted that he not see her again. Not being daunted by his wife’s insistence, Diego frequently hung out with Tina and her younger friend Frida Kahlo, who in turn also enjoyed Diego’s company. It was all just part of the wild times in San Angel, however it probably led to Diego and Lupe’s separation and ultimate divorce.”

“Hay un texto sobre cómo el bosque de Chapultepec es invadido por miles de sirvientas todos los domingos; un recorrido por la avenida Insurgentes, la calle más larga del mundo; un homenaje al monumento que alberga la mano cortada de un ex-presidente; y el recuento de una noche pasada en un bar de mal muerte adonde los soldados llegan con su novia y se van con un novio.”